The production is choreographed by London-based Georgian Elena Glurjidze, while Paris-born Béjart Ballet Lausanne Principal Dancer Aubin Le Marchand and Austrian principal, Solomon Osazuva, join the company in the principal role of Prince Siegfried as guest artists. The season also sees several of CBA’s own artists in the principal roles, including Gabriel Ravenscroft, Joshua Williams, Gabriel Fernandes Da Silva as Prince Siegfried, and Leanè Theunissen, Paige McElligott, Maryana Pobuta and Savannah Ireland as Odette/Odile.

Glurjidze, who will also provide stage direction for the Montecasino run, is a former Lead Principal Ballerina with the English National Ballet (ENB). She has a long personal history with Swan Lake, first dancing as Odette/Odile for the ENB in 2002 and closing out Derek Deane’s Swan Lake at the London Coliseum on 18 January 2015 in the same role. Her repertoire also included principal roles in Giselle, Don Quixote, The Sleeping Beauty, The Nutcracker, Romeo & Juliet, Cinderella, Coppélia, Manon, The Snow Queen, Chopiniana, Etudes and Schéhérazade. Glurjidze owns and directs the Masters of Ballet Academy in London, sending students onwards to the Royal Ballet Upper School (London), Vaganova Academy (St Petersburg) – her own alma mater, Bolshoi Academy (Moscow), Dutch National Ballet School (Amsterdam), Berlin State Ballet School (Berlin) and others. Glurjidze is described as an empathetic motivator, which will stand her in good stead with the 50-strong CBA company.

CBA’s Gabriel Fernandes Da Silva is a native of Brazil and, having danced in South Africa for almost seven years, joined Cape Ballet Africa in February 2026. Making his debut as Prince Siegfried at the Teatro, he partners Savannah Ireland for this season of Swan Lake. The role has a special meaning for Da Silva, who says, “Siegfried isn’t just a fairytale prince; he’s a mirror of my own youth and resilience. At 21, cornered by the pressure of the throne, Prince Siegfried represents the weight of responsibility – it represents an echo of the demands life laid on me from a young age. On stage, I find my refuge in dance, the same freedom I chase when shedding the weight of the everyday grind.”

Born and trained in Pretoria, Leanè Theunissen has previously danced the role of Odile, but she will make her debut in the dual roles of Odette/Odile at the Teatro. The role represents and demands the epitome of technical prowess and skilled storytelling from the ballerina embodying it. Theunissen is partnered by Gabriel Ravenscroft for this season and is enthralled by Swan Lake’s complexity. “I love the duality of light and dark,” she says. “In dancing both Odette and Odile, the challenge is to bring forth a whole range of emotions within the span of two hours. Mistrust, fear, grief, pain, sensuality, guile and strength. These are passions that reside within all of us. The joy of being a performer is presenting the audience with a feeling that awakens their own reality and emotion.”

Guest artist Aubin Le Marchand (who will play Prince Siegfried) trained at the prestigious Paris Opera Ballet School, beginning his professional career with the Croatian National Theatre in Split, where he performed leading roles in Onegin, The Great Gatsby, Romeo and Juliet, Don Quixote and La Esmeralda before joining Tulsa Ballet in the United States. His artistry and technical prowess saw him rise rapidly to the rank of Principal Dancer. He has worked with internationally renowned choreographers including Derek Deane, Angelin Preljocaj, Thierry Malandain, Kenneth Tindall, Leo Mujić and Vasily Medvedev. In 2025, Le Marchand joined Béjart Ballet Lausanne, one of Europe’s foremost contemporary ballet companies, where he continues to expand his international repertoire.

Fellow guest Solomon Osazuva – who previously worked with CBA for the company’s production of Giselle in November 2025 – graduated from the Ballet Academy of the Vienna State Opera. After graduation, he joined the National Theatre Brno, where he quickly rose to perform solo and leading roles. As a freelancer, Osazuva has expanded his repertoire and artistic voice across Europe, appearing as a guest artist with several prominent institutions, including the Bosnian National Theatre and the Slovenian National Theatre.

Cape Ballet Africa’s Swan Lake brings dramatic intensity and elegance from a company celebrated for artistic excellence and expressive storytelling. Tchaikovsky’s masterpiece is bolstered by opulent sets by Michael Mitchell and sumptuous costumes by Marcel Meyer, the team who designed CBA’s double Naledi Award-nominated production of The Nutcracker.

Debbie Turner, CEO and Artistic Director of Cape Ballet Africa, says, “Collaborating with exceptional artists from around the world is an incredible experience for everyone in the company. We inspire one another, learn from each other’s unique talents, and continually challenge each other to reach new heights.”

Simon Bryce, CEO of Global Star Events, can’t wait for the run to begin: “The season extension came early, reflecting the tremendous excitement surrounding Swan Lake in Johannesburg. Audiences can expect a spectacular celebration of the artistry, passion and enduring magic of classical ballet.”

Cape Ballet Africa and Global Star Events’ Swan Lake brings the classical ballet’s intoxicating intrigue and mesmerising elegance back to the stage in Johannesburg. Book now to avoid disappointment! The show is recommended for all ages over five years. Ticket prices range from R220 to R720.  Take advantage; book now at webtickets.co.za and save up to 40% for select seats and performances for a limited time only.

Contact showgroupbookings@gmail.com for discounted student and group ticketing offers on 20+ tickets for select performances and price categories.  Cape Town season details to be announced soon.

The post Cape Ballet Africa’s Swan Lake Brings Global Talent To Montecasino appeared first on Stage and Screen.

Lionel Bart’s Oliver!, presented by Pieter Toerien with Cape Town Opera by special arrangement with Cameron Mackintosh, is based on Charles Dickens’ timeless novel Oliver Twist, a heartwarming and exhilarating musical that has captivated audiences for generations. Featuring a score by Lionel Bart, the production brings to life the unforgettable journey of a young orphan navigating the streets of Victorian London in search of family, belonging and hope.

Set against the backdrop of 19th-century London, the story follows Oliver, a brave young boy who escapes the harsh conditions of a workhouse and finds himself entangled with a colourful cast of characters, including the cunning Fagin, the kind-hearted Nancy and the infamous Artful Dodger. Through moments of hardship and triumph, Oliver!  explores themes of resilience, compassion and the enduring human spirit.

Steven Stead will direct the upcoming production at TEATRO, featuring spectacular staging that combines dynamic choreography, richly detailed costumes, and a superb South African cast to deliver a visually stunning and emotionally engaging performance. Audiences can expect a production that honours the musical’s classic roots while bringing fresh energy and contemporary flair to this beloved story.

Oliver! is a must-see theatrical event for everyone’s diaries in 2027! The phenomenal South African cast will be announced soon.

Booking is now OPEN at Webtickets, with special advance Group Booking discounts available directly through the theatre box office on (011) 511 1988

Booking link: webtickets.co.za

Performances times: 

• Wednesday: 3 pm & 7:30 pm
• Thursday: 7:30 pm
• Friday: 7:30 pm
• Saturday: 2:30 pm & 7:30 pm
• Sunday: 1:30 pm & 6 pm

Ticket prices: R220 to R620, with special Student, Senior, Group, and Family discounts available through the box office.

“Please, sir, I want some more…”

The post Oliver! Opens at Teatro Montecasino in Johannesburg in 2027 appeared first on Stage and Screen.

Featuring a cast of 30 exceptionally talented young performers, Aladdin showcases some
of Gauteng’s brightest emerging musical theatre talent. Leading the company are Alewyn
Kritzinger as the charming Aladdin, André Ohlson as the larger-than-life Genie, Shaliya
Ramparsad as the courageous Princess Yasmin, and Omphile Ntswelengwe as the formidable Zahar.

Together with an energetic ensemble of dancers, singers and actors,
they transform the stage into the bustling streets of Agrabah, the magnificent royal palace
and the mystical Cave of Wonders in a production bursting with colour, spectacle and
heart.

Stepping into the unforgettable role of the Genie is André Ohlson, one of South Africa’s
most exciting emerging musical theatre performers. An award-winning Oakfields College
graduate with an impressive portfolio spanning stage, film, voice acting and international
touring productions, André’s exceptional versatility, magnetic stage presence and
powerhouse performance promise to make the Genie an unforgettable highlight of
Aladdin.

Among the talented cast is rising young performer Gideon van Biljon as Amir. Having
already performed internationally in Matilda the Musical and appeared in several South
African stage productions, Gideon represents the calibre of young performers being
nurtured through productions such as Aladdin, bringing enthusiasm, professionalism
and youthful energy to the stage.

Founded in 2021 by director Danielle Botha, Ever After Stage Productions is dedicated to
producing musical theatre of the highest standard while nurturing the next generation of

performing artists. With a strong focus on professional training and mentorship, the
company equips young performers with the skills, confidence and experience needed to
pursue successful careers in the performing arts.

True to Ever After Stage Productions’ commitment to developing young performers, the
cast embarked on an intensive eight-month rehearsal process designed to mirror the
standards of the professional theatre industry. Under the direction of Danielle Botha and
co-director Byron Botha, performers received comprehensive training that extended far
beyond rehearsing the production itself.

Throughout the rehearsal period, cast members participated in specialised workshops
led by respected industry professionals, including character development with Jackie
Lulu, belly dancing with Chelsea Rademeyer of Oriental Fire, parkour and stage combat
with HSD Productions, partner lift training with Johan Dippenaar, professional studio
vocal recordings at RS Studios, and an on-location promotional film shoot with Snapback
Productions.

The production’s movement is brought to life by resident choreographer Jade Morey,
whose work has become synonymous with Ever After Stage Productions. Since joining
the company in 2020, Jade has choreographed productions including Frozen Princess,
Beauty and the Beast, Cinderella and now Aladdin. Her professional career also includes
choreography for the SAMA Awards, the South African Presidential Inauguration, Lexus
Pop Classics and numerous large-scale corporate productions. The magical world of
Agrabah is further brought to life through the stunning costume designs of Liesle Joubert
and Liesl Smit, whose vibrant creations add richness, colour and authenticity to this
spectacular production.

“Aladdin is a story about courage, hope and believing that your future is not determined
by where you come from, but by the choices you make,” says director Danielle Botha.

Booking Information
Production: Aladdin
Dates: 31 July – 9 August 2026
Tickets: Available through Webtickets. Media Enquiries | 072 922 3393

The post A Whole New World Awaits: Ever After Stage Productions Presents Aladdin appeared first on Stage and Screen.

Written by Suzie Miller, this production is directed by esteemed director Neil Coppen (Isidlamlilo/The Fire Eater; Animal Farm; Tin Bucket Drum), fresh from multiple award wins at the recent Cape Town Theatre Awards, with powerhouse performer Danica De La Rey Jones (Hunting Jessica Brok; Unseen; For Colored Girls) in the role of Tessa, a brilliant young barrister, who climbs her way up from working class origins to the top of her game.

Prima Facie will be performed at the Barney Simon at the Market Theatre from 17 September until 4 October, after its debut season in Cape Town at The Baxter Studio from 4 to 29 August.

Bookings can be made at Webtickets.

Danica De La Rey Jones with director Neil Coppen is currently deep into rehearsals, this being their final week before the show opens in Cape Town next week.

As the show’s director, Neil took a break during rehearsals to give us his thoughts.

Tessa believes in the legal system until a brutal attack turns her world upside down as she navigates the same system she once championed – defending, cross-examining, and winning. Now put on trial herself, re-traumatized through her cross-examination, she finds herself questioning everything she believed about justice.

Prima Facie is a hard-hitting look at the “patriarchal power of the law” where the burden of proof and existing rules of evidence often work against victims of sexual violence.

Lighting Design for the production is by Tina Le Roux, with Set Design by Neil Coppen and Patrick Curtis and Sound Design by Charl-Johan Lingenfelder.

The 2022 London production of the show was nominated for five Olivier Awards, with wins for Best New Play and Best Actress for Jodie Comer, who subsequently won a Tony Award for the same role on Broadway in New York.

“Beyond merely presenting a gripping staging of Prima Facie on South African stages, I’m excited by the opportunity this creates to use the production strategically to deepen the discussion around its concerns and themes with our audiences,” says director Neil Coppen.

“Miller’s play poses some tough and provocative questions around the law and legal systems that are supposedly put in place to protect us all. I think the play really asks the questions around who created the law in the first place and Tessa’s, the protagonists journey, reveals how it’s clearly been constructed to serve and protect a select and powerful few.”

“I’m always inspired by complex and contemporary texts that speak to the world we are navigating, and I’m very much looking forward to working with Danica on this,” he says.

Neil Coppen is a renowned and prolific storyteller and theatre-maker who has won several major awards for his writing, design and direction work including Standard Bank Ovation Awards, Naledi’s, Fiesta and Kanna Awards, the Standard Bank Young Artist Award for Drama 2011 and the 2019 Olive Schreiner Prize for Drama. Most recently, he won the Cape Town Theatre Award (formerly Fleur du Cap Theatre Award) for Best Director and, with Mpume Mthombeni, Best New South African Script, for Isidlamlilo/The Fire Eater, which won awards in all seven categories in which the production was nominated.

Danica De La Rey Jones is a magnetic force in the South African film industry. With over a decade of industry experience, she has built a career defined by high-stakes performances and an unflinching emotional range. She has been seen on screen in the lead role of the action feature Hunting Jessica Brok, which secured a 100-cinema North American release alongside UK and European distribution. Other roles include the complex villain “TK” in Netflix’s Unseen (Season 2), while on stage she has captivated audiences in productions such as James Ngcobo’s For Colored Girls.

“Prima Facie is a compelling, incisive theatrical drama,” says How Now Brown Cow producer Julie-Anne McDowell. “Danica is known for her magnetic, powerful presence on screen and we can’t wait to see her transfer that to thrill theatre audiences in Prima Facie.”

Prima Facie will be on the Barney Simon Theatre stage at The Market Theatre from
Thursday 17 September – Sunday 4 October.

Performances are Wednesdays – Fridays @ 19h00, Saturdays @ 15h00 & 19h00, Sundays @ 15h00.
Discounted prices apply for the preview performances: 16 – 19 September, as well as “Half Price Wednesdays” each week.

Bookings are at Webtickets.

Duration of the play: 85 mins (No Interval).

Age Restriction: NO UNDER 14s (Content Warning: Expect strong references to sexual assault, violence, and potentially triggering content)

The Johannesburg staging of Prima Facie follows the debut season in Cape Town at The Baxter Studio from 4 – 29 August.

Join the How Now Brown Cow conversation on social media: Instagram | Facebook

The post Award-Winning Prima Facie Comes to The Market Theatre This September appeared first on Stage and Screen.

Written by Lewis Carroll in 1865, Alice in Wonderland has enchanted generations with its unforgettable characters and timeless themes of curiosity, courage, identity and self-discovery. This year’s dazzling pantomime promises all the larger-than-life spectacle, comedy, original music, colourful costumes and magical surprises that audiences have come to expect from South Africa’s “Queen of the Pantomime” Janice Honeyman.

This much-loved story follows the young Alice, a curious and imaginative girl who dreams of adventures beyond the ordinary. When she follows a very late White Rabbit down a mysterious rabbit hole, she finds herself in the extraordinary world of Wonderland – a place filled with talking animals, magical mushrooms, peculiar tea parties and unforgettable characters.

Along the way, Alice encounters the mischievous Cheshire Cat, the eccentric Mad Hatter, the wise Caterpillar, the delightfully chaotic Tweedles and the formidable Queen of Hearts. From a hilarious croquet match to the Queen’s outrageous tart bake-off and the mystery of the missing tarts, every scene promises laughter, music and larger-than-life entertainment.

At its heart, Alice in Wonderland is a story about growing up, finding your place in the world and discovering who you truly are. Through her extraordinary journey, Alice learns to navigate uncertainty, embrace change and trust her own instincts, proving that even the most bewildering adventures can lead to self-discovery, confidence and a deeper understanding of oneself… Through Alice’s remarkable journey, audiences are reminded to embrace their individuality, believe in themselves and never stop imagining.

Leading this year’s magical adventure is an outstanding South African cast.

Guiding us down the rabbit hole is Alice, played by the talented Ashley Scott, who started her professional career as Liesl Von Trapp in The Sound of Music in 2023, followed by the lead role of Mara in the International World Premiere of Disney’s The Magic Box in 2024 and then in 2025 as a Swing and Roxie Understudy in Chicago, before starring in the South African debut of Pretty Woman.

Marking his eighth Janice Honeyman Pantomime, Desmond Dube will be stepping into the role of Dame Nanny Fanny Floppalot. With an impressive career spanning TV, film and stage as well as receiving numerous local and international awards for his outstanding work as a performer, he is well known for his role in the TV programme Suburban Bliss and the series How to Ruin Christmas, as well as other memorable performances on stage and screen.

Russel Savadier plays the role of Narrator Lewis Carroll as he transports audiences through this magical tale. Working extensively as an actor in TV and film, his theatre accolades include Lanford Wilson’s Burn This, for which he received a Best Supporting Actor award, Another Country, Midsummer Night’s Dream, Comedy of Errors, Boys Next Door, Lisbon Traviata, Oleanna, Love! Valour! Compassion!, Popcorn, Waiting for Godot, Romance and as the rapidly unravelling Theatre Director in The Play that Goes Wrong and most recently in the Market Theatre’s production of The Good White.

The evil Queen of Hearts is played by Brendan Van Rhyn, who first starred in a Janice Honeyman Pantomime 25 years ago. Van Rhyn is best known for his alter ego, Cathy Specific, in shows like Mile High, The Triplets of Belville, Trolley Dollies, MC for Madame Zingara, as well as other theatrical productions. He also starred as Lurch in The Addams Family, Von Rothbart in Swan Lake, Frank n Furter in The Rocky Horror Show for several seasons, Trevor Grayden in Thoroughly Modern Millie and more.

Bongi Archi hops into his 11th pantomime as The White Rabbit. Bongi Archi is a dynamic and versatile entertainer, known for his work as a singer, actor, music director, voice-over artist, and TV personality. Rising to fame on Idols South Africa in 2010, he has since become a beloved figure in the country’s theatre and music scenes, starring in major pantomimes like Cinderella, Aladdin, Peter Pan, Beauty and the Beast and last year’s Pinocchio. His talents have taken him from national festivals to international stages.

Charlie Bouguenon is our Mad Hatter. He has performed in South African classics such as Saturday Night at the Palace and the Afrikaans Mis by Reza de Wet, in South African protest theatre including Somewhere on the Border and Brutal Legacy, American plays such as A Raisin in the Sun and Passover, and British classics A Christmas Carol and My Fat Friend. He has also been a regular in musical theatre, including Dear Evan Hansen, The Rocky Horror Show, Jersey Boys, Sweeney Todd, Dancing the Death Drill, and many more. He was critically acclaimed in the one-man-show Hans Steek Die Rubicon Oor. Although he has ten Joburg Theatre productions under his belt, this is his first pantomime

Bringing the colourful inhabitants of Wonderland vividly to life are Siya Makakane as The Cheshire Cat, Lesedi Rich as the Caterpillar and Danny Meaker as Jack of Hearts.

The talented ensemble features (in alphabetical order):

Bo Molefe, Brett Kruger, Brian Ngobese, Bulelo Landman, Gareth Meijsen, Inge Lochner, Jessica Driver, Kiruna-Lind Devar, Lisa de Wet, Lwazi Pinyana, Matthew Potter, Noluthando Mathebula, Ntshikeng Matooane, Pule Buys, Raymond Skinner and Zimi Mphefu.

“This year’s pantomime celebrates the limitless power of imagination while reminding audiences that every person is wonderfully unique,” says Xoliswa Nduneni – Ngema, Chief Executive Officer of Joburg Theatre. “Janice Honeyman’s Pantomimes have become a treasured festive tradition for generations of South African families, and Alice in Wonderland promises to be another unforgettable theatrical experience filled with laughter, heart and spectacular entertainment.”

Director Janice Honeyman says audiences can expect one of her most imaginative productions yet.

“Lewis Carroll created a world where absolutely anything can happen and that’s exactly what makes Alice in Wonderland such a joy to bring to the stage. Beneath all the fun, humour and madness is a beautiful story about finding yourself and discovering that you don’t need to change to belong. We have put together an exceptional cast who will transport audiences into a Wonderland bursting with music, colour, comedy and theatrical magic. I can’t wait for families to share this adventure together.”

Renowned for creating some of South Africa’s most beloved festive productions, Janice Honeyman once again transforms the Joburg Theatre stage into an extraordinary world where audiences can escape reality and embrace the joy of live theatre. As the home of one of South Africa’s most beloved theatrical traditions, Joburg Theatre continues to champion the enduring appeal and cultural significance of the Janice Honeyman Pantomime, a highlight on the festive calendar for audiences of all ages.

Joining her on the creative team are Associate Director Tim Le Roux, Musical Director Dale Ray, Choreographer Khaya Ndlovu, Costume Designer Mariska Meyer, Production Designer Andrew Timm, Sound Designer Akhona Bozo and Lighting Designer Johan Ferreira.

Whether you’re meeting these iconic characters for the first time or rediscovering a childhood favourite, Alice in Wonderland promises a magical adventure packed with laughter, spectacular production numbers and heartwarming moments for the whole family.

Janice Honeyman’s Pantomime Alice in Wonderland runs from 28 October to 24 December 2026.

EARLY BIRD SPECIAL: Get 30% off tickets if you book by 31 August. Excluding school performances.

Tickets
Tickets are available from Joburg Theatre at joburgtheatre.com.

School Bookings
For school bookings, contact:

• Sizwe: thandisizwe@joburgtheatre.com | 011 877 6917
• Happiness: happiness@joburgtheatre.com | 011 877 6853

Parental Guidance
Parental guidance is advised, as the production contains mild adult humour.

Follow Joburg Theatre on its social media platforms for the latest news, updates and behind-the-scenes content.

The post Joburg Theatre Announces Cast for Alice in Wonderland 2026 appeared first on Stage and Screen.

Mzansi Unbound is a vibrant new concert celebrating the energy, versatility and boundary-crossing spirit of contemporary South African performance.

It brings together the musical excellence, movement and storytelling that have become hallmarks of the choir’s work in a programme that moves boldly across genres and traditions.

Rooted in South African musical identity yet fully alive to global influences, the production weaves together township rhythms, Gospel, Reggae, African music, global anthems and contemporary favourites in a concert experience that is unmistakably South African while having universal appeal.

Audiences can look forward to fresh Mzansi Youth Choir interpretations of iconic songs including Bohemian Rhapsody, Paradise and One Love, alongside South African favourites such as Angimbonanga and Ijele. The result is a programme that moves confidently across all genres, delivering contemporary South African sounds that are unmistakably Mzansi.

Sidumo Nyamezele, Music Director, says, “Mzansi Unbound captures the range of who we are as a choir right now — musically ambitious, proudly South African and full of energy. It’s a programme that allows us to move across styles while staying rooted in the spirit of live performance.”

“Mzansi Unbound marks an exciting new chapter for the choir — one that honours the legacy behind us while looking ahead with fresh creative energy and a deep commitment to the young artists at the heart of this work.”

Mzansi Unbound promises an unforgettable evening of music, movement and celebration from one of South Africa’s most compelling live ensembles.

Performance Details

Production: Mzansi Unbound

Dates:
Friday, 7 August 2026
Saturday, 8 August 2026

Time:
19:00

Venue:
Soweto Theatre

Tickets:
R200

Bookings:
Available through Webtickets or by contacting Soweto Theatre on 010 446 1462 or 0861 670 670.

Mzansi Unbound is presented with the valued support of BBA Liminal and the Soweto Theatre, whose partnership has helped make this production possible.

“A choir is where a community rehearses its own becoming. Anthropologists call that threshold betwixt and between — and a choir is where it’s given a shape and a sound. A held space for young voices to reach toward who they might become. That is why BBA Liminal is proud to sponsor Mzansi Unbound, this year’s concert by the Mzansi Youth Choir.” – Eben Keun, Co-founder and Chief Brand Architect, BBA Liminal.

Connect with Mzansi Youth Choir: Website | Facebook | Instagram | YouTube.
Bookings & Enquiries: bookings@mzansiyouthchoir.co.za

The post Mzansi Youth Choir Returns With a Powerful New Show appeared first on Stage and Screen.

Following more than a decade of developing young performers, OAK Youth Theatre continues its legacy with Hercules, a large-scale musical that combines powerful vocals, energetic choreography and impressive staging. Directed by OAK co-founder Cameron Botha, Hercules is led by a creative team of experienced theatre professionals dedicated to developing the next generation of performers.

Hercules follows the legendary hero’s journey of discovering his identity, purpose and true strength. Filled with memorable music, dynamic choreography, humour and heart, the production delivers an unforgettable theatre experience for audiences of all ages.

The Creative Team Behind Hercules

Co-founder Stephan van der Walt brings extensive professional musical theatre experience to the production. His credits include Jersey Boys, Chicago, We Will Rock You and, most recently, Andrew Lloyd Webber’s Cats, where he performed as Admetus/Macavity in the South African season and international tour presented by GWB Entertainment.

Musical director Jaco Smit, a producer, multi-instrumentalist and session musician, has led OAK Youth Theatre’s music department since 2017 and has worked with leading South African artists across the music industry. He is also a Naledi Theatre Award nominee for Musical Arrangements. Resident choreographer Tarryn Botha brings extensive musical theatre experience, with choreography credits including Beauty and the Beast, Aladdin and Shrek the Musical Jr., alongside professional performance credits in South Africa and abroad.

The principal cast of Hercules brings together some of South Africa’s most exciting young performers. Rossouw van Wyk leads the production as Hercules, alongside Nina Smit as Megara. Naledi Theatre Award nominee André Smit takes on the role of Hades following his acclaimed performance in The Little Mermaid. Arehone Masakona stars as Phil, while Jemma Gradwell portrays Hera. Gideon van Biljon appears as Young Hercules, bringing international experience after performing the role of Eric in the international tour of Matilda the Musical, produced in collaboration with the Royal Shakespeare Company and GWB Entertainment. He has also been cast in the title role of Scenario Youth’s upcoming production of Peter Pan Jr.

For more than a decade, OAK Youth Theatre has helped launch the careers of young performers who have gone on to make their mark in South Africa’s entertainment industry. As the organisation enters its second decade, Hercules stands as a celebration of the young performers, creative artists and industry professionals who continue to shape the future of South African musical theatre.

Follow OAK Youth Theatre on Facebook and Instagram – @oakyouththeatre

Tickets for Hercules are available at SeatMe.

The post Hercules Showcases the Next Generation of South African Theatre Talent appeared first on Stage and Screen.

Starring the award-winning young actor Daniel Anderson, accompanied on piano by Paul Ferreira, Die Siel van Eugene Marais takes audiences on a compelling journey through the life of one of South Africa’s most fascinating literary figures.

Through Marais’ poetry, set to music by several South African composers, a profoundly human story unfolds.

Audiences witness Eugène Marais’s remarkable transformation: from a charming young journalist and charismatic law student who moved among London’s elite, to the legendary “Wonder Dokter” of the Waterberg, the pioneering naturalist and poet; and finally to the desolate old man, caught between genius and self-destruction.

“We didn’t want to simply tell Eugène Marais’s life story,” says writer and director Amanda Bothma. “We wanted to reveal his soul—his brilliance, his suffering, his love of nature, and his inability to escape his demons. This is not merely the story of a poet; it is the story of a human being.”

Die Siel van Eugene Marais weaves together poetry, original music and drama to create an intimate theatrical experience—a tribute to one of the greatest minds in Afrikaans literature, whose words and legacy continue to resonate deeply today.

Don’t miss this unique tribute to Eugène Marais.

Performance Information

Venue: Centurion Theatre

Friday, 24 July 2026
7:30 p.m.

Saturday, 25 July 2026
4:15 p.m.

Tickets: From R200

Tickets are available through Quicket 

Production Team

• Performer: Daniel Anderson
• Piano Accompaniment: Paul Ferreira
• Set Design: Wilhelm Disbergen
• Lighting Design: Barry Strydom
• Written and Directed by: Amanda Bothma

REVIEWS

“Third time’s the charm,” goes the saying. In the case of 25-year-old Daniel Anderson’s first Afrikaans production, The Soul of Eugène Marais, presented at the Woordfees, it is undoubtedly a direct hit. — Marina Griebenow, Woordfees

Anderson brings Marais’s words to life and captures the impact of his poetry with a quiet conviction… Marais suddenly stands among us again in modern life – and he has much to say to our time. His poems remain some of the most powerful and unforgettable works in Afrikaans. — Laetitia Pople, Media24

The music forms the emotional heartbeat of the production. Pianist Paul Ferreira accompanies with great sensitivity and becomes far more than an accompanist – rather a co-narrator of this story.

Daniel Anderson delivers a performance that will be remembered for a long time. With fine control, vulnerability and emotional intensity, he takes the audience on the poet’s journey through hope, loss and eventual decline. It is a performance that bears witness to a young actor who has earned his place among the country’s leading stage performers. — Karen van der Berg, Vrystaat Arts Festival

Follow Wela Kapela Productions on Social Media: Instagram & Facebook

Follow Daniel Anderson on Social Media: Instagram.

The post The Soul of Eugène Marais Makes Gauteng Debut at Centurion Theatre appeared first on Stage and Screen.

Following the news that Erich Jordaan, originally cast as Peter Pan, has accepted an exciting overseas opportunity, Gideon now steps into the role of the boy who never grows up. Scenario Youth congratulates Erich on this wonderful career opportunity and wishes him every success as he embarks on this exciting new chapter.

For Gideon, the opportunity is nothing short of a dream come true.

“Peter Pan has always been one of those magical characters that everyone knows and loves. To now have the chance to play him is incredibly exciting. I can’t wait to fly across the stage, bring Neverland to life and share this adventure with audiences. It’s going to be funny, exciting, emotional and full of magic. I hope every child and adult leaves believing that anything is possible if you just think happy thoughts.” says Gideon.

At just 12 years old, Gideon has already established himself as one of South Africa’s most exciting young performers. His impressive international résumé includes starring as Eric in the internationally acclaimed Matilda the Musical Asia Tour (2023–2024), produced in collaboration with the Royal Shakespeare Company and GWB Entertainment. Following training in Cape Town and London, Gideon performed across Israel, Dubai, China, Thailand, Singapore, India and Abu Dhabi, showcasing his exceptional acting, singing and dance abilities on world-class stages.

His career also includes appearances as Lukas in the feature film Niemandsland, television commercials and music videos. Alongside his performance career, Gideon continues extensive training in ballet, contemporary and jazz through CBA and the Royal Academy of Dance, while his years of competitive gymnastics have earned him multiple Gold awards and recognition as Best Gymnast in his year group. Most recently, audiences have seen him in Ever After Productions’ The Frozen Princess and Aladdin, as well as portraying young Hercules in Oak Youth Theatre’s Hercules. His combination of powerful vocals, expressive acting, athleticism and international experience makes him the perfect choice to bring Peter Pan to life.

When Peter Pan slips through the nursery window in the middle of the night, everything changes. Wendy, John and Michael are whisked away to a magical world beyond the stars – a place filled with Lost Boys, Brave Girls, mischievous pixies, daring adventures and the unforgettable Captain Hook. This August, Neverland spectacularly comes to life.

Audiences can look forward to beloved musical numbers including ‘I’m Flying’, ‘I Won’t Grow Up’, ‘I Gotta Crow’ and ‘Never Never Land’, making this production a joyful theatrical adventure for families, schools and theatre lovers of all ages. Packed with comedy, breathtaking adventure, unforgettable music and heartfelt storytelling, Peter Pan Jr. celebrates imagination, courage, friendship and the magic of believing.

The principal cast features Gideon van Biljon as Peter Pan, Amelia Oosthuizen as Wendy, Christian Beyra Martinez as Captain Hook, Charles Serrao as Michael, Aidan Bence as John, Kyle Cronje as Smee, Jonathan Stoltz as Mr Darling, Maya van Schalkwyk as Mrs Darling, Mia Kruger as Tiger Lily and Karli Roos as Liza, supported by a large ensemble portraying Lost Boys, Pirates, Brave Girls and many more colourful Neverland characters played by an outstanding cast of singers, actors and dancers from Grades 4 to 12.

The production is led by an award-winning creative team renowned for excellence in youth theatre, theatrical innovation and arts education. Musical Director Luigia Casaleggio and Set and Costume Designer Ashleigh Hilton join directors and choreographers Tiaan Kirsten-Lubbe and Lian Sachse.

Rehearsals have been underway since May 2026, with the full company preparing to transport audiences to Neverland in what promises to be another magical production by Scenario Youth.

Whether you’re young, young at heart or simply ready for an unforgettable theatrical adventure, this is your invitation to believe in magic once again.

So gather your family, think happy thoughts and join Peter Pan as he takes audiences on an adventure they’ll never forget.

Peter Pan Jr Takes Flight With Youth Cast In Centurion Production

PERFORMANCE INFORMATION

• Peter Pan Jr.
• Performance Dates: 13 – 15 August 2026
• Venue: Die Centurion Teater, 123 Amkor Road, Centurion
• Tickets: From R180
• Bookings: Quicket

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PETER PAN JR.

• A Musical Based on the Play by Sir J.M. Barrie
• Lyrics by Carolyn Leigh
• Music by Morris “Moose” Charlap
• Additional Lyrics by Betty Comden and Adolph Green
• Additional Music by Jule Styne
• Original Production Directed and Choreographed by Jerome Robbins.
• Presented by arrangement with DALRO (Pty) Ltd, representing Music Theatre International (MTI).

All authorised performance materials supplied by DALRO.

The post Gideon Van Biljon to Play Peter Pan appeared first on Stage and Screen.

Founded in 1989 and resident at Joburg Theatre since 2000, Peoples Theatre has staged over 200 productions and brought joy, magic and wonder into the lives of well over 1,2 million children since then….

And today’s special announcement is proof there’s no stopping them!

As it celebrates its 37th birthday, Peoples Theatre has unveiled an exciting milestone, securing the rights to stage the African premiere of Sleeping Beauty The Musical. The production will run from 3 November to 24 December 2026 as part of the theatre’s end-of-year season.

Get ready for a magical adventure with Sleeping Beauty The Musical

Sleeping Beauty The Musical brings a brand-new spin to the traditional fairy tale we all know and love.

With all original songs, Sleeping Beauty The Musical follows Princess Aurora on her journey of self-discovery. Cursed as a child, the princess is raised in hiding, then a chance meeting with Prince Perrault sets the wheels in motion for an exciting but dangerous adventure in this ultimate tale of good vs evil.

Hunted by the wicked Hellisent, Princess Aurora must find her own path and navigate the responsibilities of royal duty and the pursuit of her own dreams. Will Hellisent steal the throne from King Henry, or will Princess Aurora reclaim her rightful place in the Kingdom of Australis?

Step inside a world of magical fairies, raven spies and a whole host of wonderful characters.

Sleeping Beauty The Musical has been casting more than a ‘little bit of magic’ in theatres all over the world.

Now, this charming musical is bringing the magic to Africa for the very first time, transforming the stage into an enchanted kingdom, offering the perfect holiday treat for the young and the young at heart.

“The show has been staged in the UK and across America, but it has never been staged in Africa… until now.

I am very excited to announce that the African Premiere Production of Sleeping Beauty The Musical will be staged at Peoples Theatre in Johannesburg, South Africa, through November and December of 2026.

Sleeping Beauty The Musical is based on the traditional fairy tale, but it has a very modern spin on the old tale.

It features all original songs and follows Princess Aurora on her journey of self-discovery. It is a heart-warming tale suitable for children from 3 to 103.

I hope you enjoy experiencing it for the first time as much as I enjoyed writing it and that the show brings a little bit of magic to you and your family.” – Ian Curran – Writer and Lyricist of Sleeping Beauty The Musical

The Disney version of Sleeping Beauty was staged at Peoples Theatre in the early 2000s, but the show has not been staged there since then, so it’s especially exhilarating for Peoples Theatre to be presenting this modern adaptation of the timeless classic, performing for a whole new generation.

“I’m absolutely excited to be directing and producing this thrilling new version of Sleeping Beauty The Musical in Johannesburg! This brand-new production is packed with laughter and magical moments, making it perfect for families and children of all ages. With plenty of audience participation, everyone can join in the fun, boys and girls alike!

Sleeping Beauty The Musical teaches us that good will always triumph over evil, and that true love, patience and resilience can overcome even the most wicked curse cast by the Evil Fairy. At its heart, the story reminds us that kindness and love will always prevail.

Interactive family fun, that’s what Peoples Theatre is all about, and we can’t wait to welcome audiences to share in the magic of this timeless fairy tale.” – Jill Girard – Producer/Director

Sleeping Beauty The Musical is produced by Peoples Productions in collaboration with Joburg Theatre and presented by arrangement with Curran Media Group Ltd.

Book and Lyrics by Ian Curran and Music by Simon Hanson & Peter Vint.

Whether you’re cheering on the prince or watching the colourful fairies weave their spells, this endearing adventure reminds us all that love and bravery can conquer any darkness.

SLEEPING BEAUTY THE MUSICAL

Performances are from Tuesday, 3 November – Thursday, 24 December 2026

Show times for schools are Tuesday to Friday at 09:00 am and 11:00 am.

Showtimes for the public are 10h30 and 14h30 — Saturdays & Sundays and during school holidays.

Ticket Prices:

R180 per person for members of the public

R145 if you are a member of the Peoples Theatre Kids Club

R155 for public accompanying members

School Bookings are now OPEN!
For school group rates, contact the theatre directly.

PLEASE BOOK EARLY TO AVOID DISAPPOINTMENT

Call 011 877 6841 or email info@peoplestheatre.co.za for bookings or enquiries.
You can also book online at joburgtheatre.com or via Webtickets

The post Sleeping Beauty The Musical heads to the People’s Theatre this November appeared first on Stage and Screen.