Dickens’ ever-popular story of the boy who asked for more – Oliver! – is one of the world’s most cherished stage musicals. With a sensational score, including Food Glorious Food, Consider Yourself, You’ve Got to Pick-a-Pocket or Two, I’d Do Anything, Oom Pah Pah, As Long As He Needs Me and many more, Oliver! promises to captivate Jo’Burg audiences and is the perfect show for the whole family to enjoy!

Cameron Mackintosh’s Oliver!, presented by Pieter Toerien with Cape Town Opera, is based on Charles Dickens’ timeless novel Oliver Twist, a heartwarming and exhilarating musical that has captivated audiences for generations. Featuring a score by Lionel Bart, the production brings to life the unforgettable journey of a young orphan navigating the streets of Victorian London in search of family, belonging and hope.

Set against the backdrop of 19th-century London, the story follows Oliver, a brave young boy who escapes the harsh conditions of a workhouse and finds himself entangled with a colourful cast of characters, including the cunning Fagin, the kind-hearted Nancy and the infamous Artful Dodger. Through moments of hardship and triumph, Oliver!  explores themes of resilience, compassion and the enduring human spirit.

The upcoming production at TEATRO will be Directed by Steven Stead and will contain spectacular staging, combining dynamic choreography, richly detailed costumes and a superb South African cast to deliver a visually stunning and emotionally engaging performance. Audiences can expect a production that honours the musical’s classic roots while bringing fresh energy and contemporary flair to this beloved story.

Oliver! is a must-see theatrical event for everyone’s diaries in 2027! The phenomenal South African cast will be announced soon.

Booking is now OPEN at Webtickets with special advance Group Booking discounts available directly through the theatre box office on (011) 511 1988

Performances times:

• Wed @ 3 pm & 7:30 pm
• Thu @ 7:30 pm
• Fri @ 7:30 pm
• Sat @ 2:30 pm & 7:30 pm
• Sun @ 1:30 pm & 6 pm

Ticket prices: R220 to R620 with special Student, Senior, Groups and Family discounts available through the box office.

“Please, sir, I want some more…”

The post Oliver Musical Returns To Teatro Montecasino In 2027 appeared first on Stage and Screen.

12 – 16 June 2026 — Redhill Theatre, Redhill School

Johannesburg – May 7th, 2025: Two Award-Winning Shows – One EPIC Youth Day long weekend in Joburg!

Wela Kapela Productions is excited to announce a first-of-its-kind – a Double Bill of their multi-award-winning shows, Vincent – His Quest to Love and Be Loved and The Tramp, will be staged at Redhill Theatre, situated at Redhill School in Morningside, over the Youth Day long weekend, from 12th – 16th June.

Johannesburg audiences will now have the opportunity to enjoy both these hit shows – whether booking for one on its own or both of them as part of an exciting double bill – for one weekend only!

Amanda Bothma, producer/director from Wela Kapela Productions, explains, “Vincent: his quest to love and be loved — a haunting, intimate portrait of Vincent van Gogh — and The Tramp — a playful, poignant homage to Charlie Chaplin—couldn’t be more different. What they share is the magnetic talent of Daniel Anderson and Paul Ferreira and Wela Kapela’s fearless commitment to bold, diverse storytelling. Join us for a weekend of contrast, craft, and compelling theatre.”

Over the course of the Youth Day long weekend, both Vincent – his quest to love and be loved as well as The Tramp, will be staged at Redhill Theatre, Redhill School as part of the school’s ongoing commitment to supporting the arts.

There will be three performances of VINCENT and two of THE TRAMP staged between Friday 12th and Tuesday 16th June 2026.

Audiences are welcome to book for one show only, or enjoy the Double Bill option – whereby they book for the first show at full price, then get a 20% discount when booking for the second show.

The Double Bill option doesn’t need to be booked for the same day, as long as tickets for both shows are purchased for that same weekend.

Performance Schedule:

• Friday 12th June: 19h00 Vincent – his quest to love and be loved
• Saturday 13th June 14h00 The Tramp
• Sunday 14th June 14h00 The Tramp
• 18h00 Vincent – his quest to love and be loved
• Tuesday, 16th June 14h00 Vincent – his quest to love and be loved
• Tickets are from R200 with further discounts for senior citizens, scholars and students.

Bookings are through Webtickets.

To Book for the Double Bill:

• Book tickets for the first show and make your payment (as per normal)
• You will receive a promotion code in your confirmation email from Webtickets – keep that handy
• Book for your second show. At checkout, before paying, enter the promotion code you received, and your discount will be applied.
• PLEASE NOTE: this Double Bill discount applies only to the full ticket price, not to any tickets already discounted.

Joseph Gerassi, Executive Head of Redhill School states, “I have had the privilege of seeing both Vincent and The Tramp, and they are, quite honestly, world-class productions. These are shows that could sit comfortably on any West End stage, yet here we are, fortunate enough to welcome them to our own campus for our students, families, staff, and local community to enjoy.”

He continues, “We are proud that Redhill continues to be a place where artistic excellence is celebrated, where great storytelling is championed, and where unforgettable theatre can be experienced on our doorstep.”

THE TRAMP – A synopsis

The Tramp is a Naledi Theatre award-winning mini-musical that tells the story of Charlie Chaplin through the perspective of his old friend, his beloved Tramp character. The show follows The Tramp as he reflects on Chaplin’s rise to fame. He ponders on their symbiotic relationship, and the eventual betrayal of their friendship, that led to Chaplin’s exile from America for communist sympathies.

“Life is tragedy in close-up, but comedy in long-shot”…

The retelling of Charlie’s story through popular music and silent film gives a fresh view on the life of the iconic, yet controversial, comedic genius. The Tramp was everyman’s champion, shielding a shy, moody, fastidious Chaplin. And with the arrival of the talking movies, the Tramp was sidelined, and Chaplin himself stepped into the limelight. With this newfound voice, Charlie tarnishes his image with naïve political speeches and scandalous love affairs. And without the Tramp in his corner, he became an easy target for the cross-dressing J Edgar Hoover, the gossipmonger Hedda Hopper and the gin-soaked senator Joseph McCarthy.

The Tramp explores the complicated bond between an artist and the character they create, blending comedy and tragedy in a heartfelt reflection on fame, identity, and betrayal.

“Daniel Anderson’s stunning one-man cabaret doesn’t just resurrect Charlie, it excavates the heartbreaking human cost behind the world’s beloved silent clown. A fantastic show… it is theatre that reminds us why live performance matters”.

• Barry Morisse, Stage Door

VINCENT – HIS QUEST TO LOVE AND BE LOVED – A Synopsis

Vincent is a three-time Naledi award-winning musical starring Daniel Anderson and accompanied by Paul Ferreira on piano. Anderson delves deep into the enigmatic life of Vincent Van Gogh, exploring the complexities of his relentless pursuit of artistic fulfilment and genuine human connection.

Through reimagined renditions of popular musical theatre, pop, rock, and jazz numbers, this unique multimedia musical cabaret offers a fresh perspective on Van Gogh’s unwavering desire for love and acceptance.

Daniel Anderson’s commanding performance takes the audience on an emotional journey through the turbulent existence of the iconic artist. From the very first note to the final chord, VINCENT immerses the spectators in a world of passion and creativity, sparking a profound connection with Van Gogh’s timeless struggles and triumphs.

The show is a multimedia musical that tells of a complex man with a ruthless drive to create and a deep-seated desire to love and be loved.

Vincent has enjoyed sold-out seasons in all major centres in SA and most recently experienced a sold-out West End debut performance in London in August 2025.

Gerassi concludes, “At Redhill, we are committed to creating meaningful access to the arts, because we firmly believe that live performance has the power to stir imagination, deepen empathy, and bring communities together in ways few things can.”

• Follow Wela Kapela Productions on Social Media: Instagram | Facebook.
• Follow Daniel Anderson on Social Media: Instagram.

The post Vincent and The Tramp Return for Johannesburg Double Bill appeared first on Stage and Screen.

Peoples Theatre are thrilled to announce their cast for this enchanting family show!

MEET THE CAST

Raymond Skinner

Raymond is an actor and singer-songwriter who started his performance journey at the age of 16 with the show Beauty and the Beast Jr at the Peoples Theatre in 2018. He has since performed in multiple musical theatre productions at the Peoples Theatre and played the role of Jesus in Oakfields College’s production of Godspell (2024). He’s also received a Naledi award nomination for his performances as Lord Farquaad in Shrek the Musical Jr. (2023) and won the award for Best Actor in a Children’s Production for his portrayal of Aladdin in Aladdin Jr. (2024), both at the People’s Theatre.

Also Read: Fly Into Neverland With Peter Pan Jr At Peoples Theatre

Lesedi Rich

Having performed in multiple Joburg Musicals, Lesedi has featured in Seussical Jr. The Musical as The Cat in The Hat, Stories from the Old Calabash & The Little Mermaid Jr. to name a few; on the Peoples Theatre Stage. In recent years, he has been cast in various roles in Janice Honeyman’s pantomimes, appearing in Peter Pan, Beauty and the Beast and his latest supporting role as Lampwick in Pinocchio.

Bethany-Joy Jiyane

From a young age, Bethany harbored grand aspirations of becoming a performer. In 2013, she made the pivotal decision to leave her small hometown and embarked on a journey to realize her dreams by enrolling in the Musical Theatre program at the Tshwane University of Technology. Subsequently, she participated in numerous productions at both the National Children’s Theatre and the Peoples Theatre. In addition to her qualifications in Musical Theatre, she is a trained puppeteer, having received specialized training from Sesame Street, and currently serves as one of the lead puppeteers on the beloved children’s program, Takalani Sesame.

Luciano Zuppa

Luciano started his professional career almost 42 years ago, performing in cabaret shows, plays and musical theatre. His career has taken him on tours all over South Africa and around the world. Peter Pan Jr will be his twentieth production at the Peoples Theatre.

Junior Geel

Junior is a multifaceted performer, excelling as a singer, actor, and dancer. He has had the privilege of working with esteemed institutions such as the Peoples Theatre, where he contributed to acclaimed productions such as Stories from the Old Calabash. He also had the opportunity to showcase his talents in Janice Honeyman’s Beauty and the Beast pantomime in 2024. Recently, Junior spent seven months honing his craft on the ADORA Mediterranean cruise ship, where he dazzled audiences with his performances in multiple shows as a production dancer. Junior is thrilled to be returning to the South African stage with his dynamic range and captivating stage presence.

There is a specific reason why producer/director Jill Girard is so enthusiastic to stage Peter Pan Jr next at Peoples Theatre.

She states, “I’ve always loved seeing parents bringing their children to the theatre and overhearing them tell them that they, too, discovered the magic of live theatre there as children.

We haven’t staged Peter Pan at Peoples Theatre for over a decade, so I’m particularly excited to be staging the new Broadway version of this timeless classic for the first time at Peoples Theatre, which will be a wonderful ‘first’ for not only the youngsters who come watch, but their parents too.”

Peter Pan, Tinker Bell and Captain Hook are here to enchant a new generation of dreamers. This beloved classic will give audiences an immersive, high-flying theatrical experience that captures the enduring spirit of childhood wonder.

Peter Pan Jr. is based on the play by J.M. Barrie, masterfully adapted for the stage to ensure that even the littlest theatre-goers stay captivated by the song, dance and adventure.

“Peter Pan is the very first example of audience participation, something that we use extensively today.

Peter Pan and Neverland have sustained popularity for over a century because they embody the universal, bittersweet longing for eternal youth, imagination and freedom from adult responsibility. The story first appearing in 1904, remains special because it balances whimsical adventure with deeper, often darker themes of abandonment and the inevitability of growing up.” – Jill Girard, Director.

Follow the journey of the boy who wouldn’t grow up as he whisks Wendy, Michael, and John Darling away to a world of fairies, pirates, and Pixie Dust. Together, they must outwit the bumbling Smee and the vengeful Captain Hook.

Get ready to head for the second star to the right and straight on till morning!

• Performances are from Tuesday, 9 June – Sunday, 26 July 2026
• Showtimes for schools are Tuesday to Friday at 09:00 am and 11:00 am.
• Showtimes for the public are 10h30 and 14h30 – Saturdays & Sundays and during school holidays.

Ticket Prices:

• R180 per person for members of the public
• R145 if you are a member of the Peoples Theatre Kids Club
• R155 for public accompanying members
• For School group rates, please contact the theatre directly

PLEASE BOOK EARLY TO AVOID DISAPPOINTMENT

Call 011 877 6841 or email info@peoplestheatre.co.za for bookings or enquiries.
You can also book online at joburgtheatre.com or via webtickets

The Kids’ Club

Children who join the Kids’ Club for just R155.00 a year receive discounted rates on tickets and also get to enjoy free entrance to the show that is allocated to their birthday month and falls closest to their birthday. Kids Club members receive fun newsletters and stand to win fabulous prizes in exciting competitions. So why not come and spend some quality time at the PEOPLES THEATRE come as you are, come dressed up, but whatever you do, don’t miss Peter Pan JR!

Peter Pan Jr’s Creative Team:

• Produced by Peoples Pre Productions
• Directed by Jill Girard
• Set Design by Grant Knottenbelt
• Costumes by Luciano Zuppa
• Choreography by Sandy Dyer Richardson

Musical Direction by Coenraad Rall, Publicity by Collett Dawson of The CoLab Network

Follow Peoples Theatre on Social Media: Facebook | Instagram

The post Peoples Theatre Announces Peter Pan Jr Cast for 2026 Season Run appeared first on Stage and Screen.

There is a specific reason why producer/director Jill Girard is so enthusiastic to stage Peter Pan Jr next at the Peoples Theatre.

She states, “We haven’t staged Peter Pan at Peoples Theatre for over a decade, so I’m particularly excited to be staging the new Broadway version of this timeless classic for the first time at Peoples Theatre, which will be a wonderful ‘first’ for not only the youngsters who come watch, but their parents too.”

Peter Pan, Tinker Bell and Captain Hook are here to enchant a new generation of dreamers. This beloved classic will give audiences an immersive, high-flying theatrical experience that captures the enduring spirit of childhood wonder.

Peter Pan Jr. is based on the play by J.M. Barrie, masterfully adapted for the stage to ensure that even the littlest theatre-goers stay captivated by the song, dance and adventure.

“Peter Pan is the very first example of audience participation, something that we use extensively today.

Peter Pan and Neverland have sustained popularity for over a century because they embody the universal, bittersweet longing for eternal youth, imagination and freedom from adult responsibility. The story, first appearing in 1904, remains special because it balances whimsical adventure with deeper, often darker themes of abandonment and the inevitability of growing up.” – Jill Girard, Director.

Follow the journey of the boy who wouldn’t grow up as he whisks Wendy, Michael, and John Darling away to a world of fairies, pirates, and Pixie Dust. Together, they must outwit the bumbling Smee and the vengeful Captain Hook.

Get ready to head for the second star to the right and straight on till morning!

Cast list to be announced soon

• Performances are from Tuesday, 9 June – Sunday, 26 July 2026
• Show times for schools are Tuesday to Friday at 09:00 am and 11:00 am.
• Showtimes for the public are 10h30 and 14h30 – Saturdays & Sundays and during school holidays.

Ticket Prices:

• R180 per person for members of the public
• R145 if you are a member of the Peoples Theatre Kids Club
• R155 for public accompanying members

For School group rates, please contact the theatre directly

PLEASE BOOK EARLY TO AVOID DISAPPOINTMENT

Call 011 877 6841 or email info@peoplestheatre.co.za for bookings or enquiries.
You can also book online at joburgtheatre.com or via Webtickets

The post Fly Into Neverland With Peter Pan Jr At Peoples Theatre appeared first on Stage and Screen.

Long before social media transformed choreography into a global language, and before platforms like TikTok made dance instantly shareable, Jackson understood something fundamental: movement is storytelling. His performances were never just routines; they were theatre, emotion and technical precision in motion.

Behind the moonwalk, the sculpted silhouettes and the stillness before explosive movement, there was something unmistakably classical. His control, balance, lines and dramatic execution reflected principles deeply rooted in ballet. He understood space. He understood tension. He understood silence as part of movement. In many ways, he was translating ballet for the pop world, just in a different form.

Today, as renewed global attention turns to his legacy through digital resurgence and the upcoming biopic Michael, a new cultural opportunity emerges – not only to revisit his influence, but to reimagine ballet itself for contemporary audiences.

In South Africa, that opportunity is being actively realised.

Mzansi Ballet presents Michael Jackson: Heal the World, a production that moves beyond tribute into reinvention. Rather than replicating the past, it reinterprets Jackson’s music and message through the language of ballet, where classical technique meets contemporary expression, and storytelling takes centre stage.

The production fuses ballet, jazz, flamenco and contemporary dance into a layered theatrical experience that reflects both the scale of Jackson’s artistry and the emotional depth of his legacy. From the urgency of “Beat It” to the humanity of “Heal the World”, each work is transformed into visual storytelling, where movement becomes meaning.

Featuring South African prima ballerina Angela Revie alongside rising talents Kiana Rose Prinsloo and Tshenolo Tshoma, as well as international performer Ariel Himeliz Méjica, the production reflects Mzansi Ballet’s ongoing commitment to excellence and innovation.

Founder Dirk Badenhorst frames the work as both homage and evolution:

“Michael Jackson changed the way the world experienced music through movement. With Heal the World, we wanted to honour that legacy by creating something that is not only visually spectacular, but emotionally meaningful. Ballet has the power to transcend language, and through this production, we want audiences to feel both the brilliance of his artistry and the message of unity he stood for.”

This is where ballet begins to shift for a new generation.

Today’s audiences consume dance differently. They engage in fragments rather than full acts, responding first to emotion, then to form. They move quickly, but they stop for what resonates. For ballet, this is not a threat but an invitation: to remain rooted in discipline while finding new ways to be seen.

Reframed through Michael Jackson’s catalogue, that bridge becomes immediate. A principal dancer interpreting “Earth Song” carries emotional recognition. A corps de ballet in “Smooth Criminal” merges precision with cultural memory. A ballerina in “Thriller” transforms the familiar into the unexpected.

This is not about making ballet commercial. It is about making excellence visible.

The impact lies in contrast: where elegance meets edge, where classical form meets shared cultural language, and where tradition becomes immediate again. These are the moments that travel, that linger, that are remembered.

In this context, ballet becomes accessible without losing its integrity. It becomes present, urgent and alive.

Michael Jackson: Heal the World will be staged at the Pieter Toerien Montecasino Main Theatre from 13 May to 7 June 2026. Tickets are available via Webtickets.

In a culture defined by visibility, emotion and connection, the fusion of ballet and Michael Jackson is not nostalgia.

It is strategy.

It is artistry.

And through Mzansi Ballet, it is moving the world once again.

The post Mzansi Ballet pushes boundaries with Michael Jackson tribute appeared first on Stage and Screen.

Written by Suzie Miller, Prima Facie arrives on South African soil this August with significant global credibility behind it, having dominated both the Olivier Awards and the Tony Awards. Yet the real question is not about its accolades, it’s about its relevance in a country grappling with its own deeply entrenched legal and social challenges.

At the centre of the narrative is Tessa, portrayed by Danica De La Rey Jones, a sharp, ambitious barrister who has built her career defending the accused. She understands the system, speaks its language, and thrives within its rigid framework until she is forced into a position that exposes its limitations. When she becomes the victim of a violent assault, the rules she once relied on begin to unravel.

Directed by Neil Coppen, the production does not shy away from uncomfortable truths. Instead, it leans into them, dissecting the mechanics of a legal process that often prioritises procedure over people. The notion of “evidence” is placed under scrutiny, raising a critical tension: does the system deliver justice, or simply process cases?

Positioned within South Africa’s ongoing crisis around gender-based violence, Prima Facie becomes more than a performance; it becomes a case study in systemic failure and institutional inertia. Coppen’s assertion that there is no more urgent context for this story is difficult to dispute. The play challenges audiences to move beyond passive consumption and engage with the underlying questions it raises.

Presented by How Now Brown Cow in association with The Market Theatre, the production signals a strategic alignment between storytelling and social commentary. It’s not just about raising awareness, it’s about reframing the conversation around justice itself.

Catch the Season

• Cape Town: The Baxter Theatre Centre | 4 – 29 August
• Johannesburg: The Market Theatre | 17 September – 4 October

Bookings via Webtickets (Age advisory: 14)

In an environment where legal frameworks are often viewed as definitive, Prima Facie introduces a degree of scepticism that feels both necessary and overdue. The production doesn’t offer easy resolutions, nor does it pretend to. Instead, it leaves audiences with a lingering question—when the system itself is under scrutiny, where does accountability truly begin, and who gets left behind in the process?

The post Seeking Justice in a Broken System: Prima Facie Makes Its South African Debut appeared first on Stage and Screen.

Arriving at The Baxter Theatre Centre this June before transitioning to Theatre on the Square, the production positions itself as more than a cerebral exercise. Under the direction of Jay Pather, it leans into the emotional volatility of human connection, framing quantum theory not as an abstract concept, but as a mirror reflecting the fragility of choice.

At its core, the narrative tracks Marianne, a physicist, and Roland, a beekeeper—an unlikely pairing that becomes a vehicle for exploring how relationships fracture, reform, and evolve across parallel possibilities. Played by Mwenya Kabwe and Mark Elderkin, these characters exist in multiple states: together and apart, fulfilled and fractured. The structure is deliberately fragmented, forcing audiences to confront an uncomfortable question: are outcomes ever truly within our control, or are we simply navigating pre-existing pathways?

Pather’s framing cuts through the science, grounding the production in a universally recognisable tension: the ‘what if’. It’s a concept often romanticised, yet here it’s interrogated with precision. What if a different word were chosen, a different silence maintained? Would the trajectory shift, or was it always heading toward the same conclusion?

From a performance standpoint, the success of Constellations hinges on nuance. There’s no spectacle to hide behind, just dialogue, timing, and the psychological elasticity of two actors tasked with embodying multiple realities. That alone positions this as a high-risk, high-reward production in a theatre landscape often driven by safer commercial bets.

Catch the Season

• Cape Town: The Baxter Theatre Centre | 2 – 20 June
• Johannesburg: Theatre on the Square | 23 June – 11 July

Bookings via Webtickets (Age advisory: 14)

In a cultural environment increasingly saturated with predictable storytelling, Constellations appears to take a different strategic route; one that prioritises introspection over spectacle. The question is whether audiences are willing to engage with a narrative that doesn’t offer clean answers. And perhaps more importantly, if every version of your life exists somewhere, which one are you currently living, and why?

The post Constellations: A Quantum Journey of the Heart Comes to Cape Town and Joburg appeared first on Stage and Screen.

On stage at Pieter Toerien’s Montecasino Theatre

• 13 May to 7 June
• Performances: Wed @ 7:30pm, Thu @ 3pm, Fri @ 7:30pm, Sat @ 3pm & 7:30pm, Sun @ 3pm
• Tickets, R350, R300, R250, R200
• All bookings at Webtickets

The post Mzansi Ballet presents Heal the World – A Ballet to the music of Michael Jackson appeared first on Stage and Screen.

Stripped and raw. Where do dreams begin and where do they end? What do you do when the colours of your life’s coat start to change? Since Phantom of the Opera, there has been a perception that André Schwartz and Andrew Lloyd Webber are friends. The storyline is a narrative that exploits this interaction through music and conversation. In Any Dream Will Do – My Pad met Webber, Schwartz explores his relationship with everything that is Andrew Lloyd Webber — a relationship that began when he was first introduced to Andrew’s work at the age of 12, when he saw Joseph and his Amazing Technicolor Dreamcoat. Get your tickets now for Any Dream Will Do – My Pad met Webber at the Theatre of Marcellus at Emperors Palace on Sunday, 15 March at three o’clock at www.LTickets.co.za, (011) 815-3000 or at lefra.com. The production is presented with the kind cooperation of Ambassador Execudrive, BluBlood, Britz Couriers & Removals, Emperors Palace, Feeste.net, Hollywood Costumes, LTickets, Lift Airlines, Mannah Guesthouse and Conference Centre, Mobilis Auto, RSG and Van Loveren wines.

André Schwartz’s celebrated and multifaceted career spans music, theatre, television, and the business world. Born and raised in Johannesburg, he made his television debut at fourteen and was classically trained as both a singer and pianist, a foundation that has supported his multifaceted career in popular Afrikaans music, musical theatre and broadcast media. Over several decades, Schwartz has released numerous albums – many of which have achieved gold status – with beloved hits such as ‘Ek wil jou nooit weer sien’, ‘Lief vir alles hier’ and ‘Ritme deur die nag’, and has worked with icons such as Yvonne Chaka Chaka, among others.

As a leading stage artist, he has starred in major musical productions, including Joseph and the Amazing Technicolor Dreamcoat, Jesus Christ Superstar, Pirates of Penzance and of course The Phantom of the Opera, to critical acclaim. Andrew Lloyd Webber himself praised his portrayal of the Phantom. In addition to music and theatre, he has appeared on television (including series such as Sterlopers and 7de Laan), hosted numerous lifestyle and reality shows. His 2019 album Die Pad reflects his personal journey and growth as an artist, and he continues to inspire audiences with his passion, resilience and creative vision.

Through iconic songs such as Any Dream Will Do, You Must Love Me, Music of the Night, Memory and Pie Jesu, he weaves this music with his own life story in Any Dream Will Do – My Pad met Webber. The show takes the audience on an honest, emotional journey full of humour, hope and difficult truths — without pomp or grandeur. The songs are presented simply and openly, exactly like the story being told. Sometimes it is light and funny, sometimes raw and painful, but always sincere. This is not a nostalgic music concert, but a personal theatrical experience that draws people closer and keeps them talking long after the last note.

André is accompanied by leading music director, maestro Bryan Schimmel, which is an experience in itself. Come enjoy the immortal music of Andrew Lloyd Webber. Get your tickets now for Any Dream Will Do – My Pad met Webber at the Theatre of Marcellus at Emperors Palace on Sunday, 15 March at three o’clock at LTickets.co.za.

The post André Schwartz Celebrates Webber’s Legacy at Emperors Palace appeared first on Stage and Screen.

Following the success of their beloved 2024 production of The Wizard of Oz, the talented young performers return with another spectacular family show – bringing Roald Dahl’s iconic story to life with music, imagination and a whole lot of chocolatey fun.

Audiences will step inside the mysterious world of Willy Wonka’s famous factory, where lucky golden ticket winners embark on an unforgettable journey through fantastical rooms filled with sweets, surprises and life lessons. Packed with lively musical numbers inspired by the beloved film soundtracks, including “I Eat More” and the timeless “Pure Imagination”, the production promises a joyful theatrical experience for audiences of all ages.

At the centre of the story is the eccentric candy maker himself, Willy Wonka, played by Sibu Molaba and Jaden Taferner, who alternate in the role. Their whimsical performance leads a dynamic young cast through the colourful chaos of Wonka’s magical factory.

The production is directed by Kerry-Anne Beldon, produced by Clive Martin, with choreography and vocal direction by Virtuous Kandemiri, creating a high-energy show bursting with creativity, humour and heart.

Adding to the excitement, the show features two alternating casts — the Green Cast and the Purple Cast – giving even more young performers the chance to shine on stage.

Green Cast

• Charlie: Amelia Oosthuizen
• Veruca: Madonna Figueira
• Violet: Kelly Folscher
• Willy Wonka: Jaden Taferner
• Augustus: Tlhompho Ngoato
• Augustus’ Mom: Sibu Molaba
• Reporters: Mika Goncalves, Mika de Haas, Sibahle Maseko

Purple Cast

• Charlie: Christian Tallarico
• Veruca: Anjone Noeth
• Augustus: Paegan Whitfield
• Augustus’ Mom: Mika Goncalves
• Willy Wonka: Sibu Molaba
• Violet: Mika de Haas
• Reporters: Nova Louw, Kelly Folscher, Annebelle Allison

Ensemble

Ingo Koster, Thoriso Tsese, Mia-May Grobler, Jaimie Jacobs, Chante Krugel, Landi Visagie

Grandparents

Riaan Agenbacht, Shaylyn Loxton, Anothile Sangweni, Karabo Matsapola

With colourful costumes, energetic choreography and a story that celebrates kindness, imagination and family, Charlie and the Chocolate Factory promises to be a sweet theatrical treat for the whole family.

Whether you grew up loving the classic tale or are introducing it to a new generation, this production offers a magical escape into a world where dreams and chocolate are limitless.

Booking Information

• 18 March to 18 April.
• Irene Village Theatre
• Tickets are available via Quicket

Don’t miss your chance to grab a golden ticket to one of the most delightful family musicals of the year.

The post Golden Tickets and Pure Imagination: Pretoria Youth Theatre presents Charlie and the Chocolate Factory appeared first on Stage and Screen.