By: David Simmons

There is a refreshing satisfaction when one leaves a theatre after a musical with children at its core. Think back to the timeless musicals you have seen not only as a child, but also more recently on our South African stages. The Sound Of Music comes to mind with unique and loveable child performances. Then we have Annie, a powerful leading role by one knockout leading lady who is all action, drive and perseverance. And now, with our newest theatre recruits, all your favourite childhood characters have come to life. Matilda the Musical has gloriously taken ownership in a true Kaleidoscope of colour and show-stopping girl power!

You may have noticed the trend of strong and powerful female leads who withstand their own storms and invariably come out stronger at the end of their journey. Whether these leads are adults or young children, the message of empowerment is particularly clear and unstoppable. Matilda The Musical has a very strong message of acceptance and courage and delivers with showstopping vitality.

It’s always interesting to witness a story that most have come to love from the pages of a book that has been communicated through song, dance and visual characterisation. The effectiveness can be far more appealing and the message more powerful when altered for a live production. In Matilda The Musical’s case, this enchanting story ignites with a huge voice and the right amount of energy for a large-scale, truly unmissable theatrical offering.

Based on the 1988 children’s book by Roald Dahl, this hugely polished and fast paced musical is suitable for a new generation of impressionable young children. With some of the most wonderful and touching music you will hear on a stage, the cast, most of which are talented youngsters, enjoy scene after scene with maturity and ease. Tim Minchin’s music and lyrics are memorable and many of the showstopping numbers have become the anthem for the powerful childhood themes of the show. This coming of age story delivers a masterful and thoughtful script and with its strong message throughout, the appeal is extremely pleasing

The plot is simple and in fact rather sad, but as we know in stories like these, it’s not all downhill and mayhem for the leading lady in question. Matilda Wormwood is a lonely child who reads books to escape her awful upbringing. She is talented beyond her age and is far wiser than her dim-witted parents believe her to be. She immerses herself in the pages of her books and creates magical tales that take her to worlds of make-believe.

There are 3 Matilda’s playing the lead in the run of this musical feat, however opening night saw the wonderfully talented Morgan Santo playing the title role. One can describe her performance as a winning combination of sensitivity and resilience. She is a tiny package of energy and sheer likability and is a huge force on stage. The same can be said about Kitty Harris, who we saw in our second visit to this production. In her professional debut performance, this young talent revealed her true gift for the stage and is certainly a bright young theatre star to look out for.

Huge admiration needs to go to the LAMTA academy, for the magic and professional training they impart onto these impressive youngsters. Their directors, Anton Luitingh and Duane Alexander, also resident Director and Associate choreographer of this tour have moulded these incredible actors into shining examples of the wonderful young talent we have in this country.

Mr and Mrs Wormwood are played by Stephen Jubber and Claire Taylor respectively. Jubber, who will be remembered for a somewhat similar role in Annie, is effortlessly wakey and gives a brilliant portrayal of Matilda’s slimy, small town crook father. Taylor, recently seen in Rock of Ages, is a marvel as always to watch. Her stage presence is truly magnetic and her loud, boisterous and ditzy Mrs Wormwood needs huge recognition.

When Matilda starts at her new school, she meets the wonderfully and sweet voiced Miss Honey played by Bethany Dickson who’s grace and demeanour on stage is remarkable. Both Miss Honey and Matilda have to deal with their demons and tackle whatever insecurities they have head-on, and the sincerity of their relationship on stage, was hugely visible through their professional approach to their characters.

Children’s stories are never complete without a villain and there probably has never been a more shining character driven role than the one given by Ryan De Villiers who plays Miss Trunchbull. De Villiers gave an unforgettable performance on both nights we saw the production and whoever he was channelling came through in bucketloads! His performance is an admirable highlight of the show and if there were any doubts to see Matilda, let Ryan’s performance be your driving force. Miss Trunchbulls flamboyant character in true panto style humour and devilish charm, is so outrageous it’s hard to keep a straight face during her scenes.

The set design is glorious and filled with huge amounts of detail and charm. You will feel as if you are floating on the pages of a book with letters and words that make up the entire expanse of the stage. Set- and costume designer Rob Howell adds sparkle and magical touches. There are fast set changes, slick choreography and how can one forget Bruce Bogtrotter and his famous cake eating scene? With a live 8-piece band led by the brilliant Louis Zurnamer, Matilda is one Musical that should not be missed!

Matilda The Musical will be running at The Teatro at Montecasino until Sunday the 2^nd of December where it moves to the Artscape Theatre from the 11^th of December.

The post Review: Matilda The Musical appeared first on Stage and Screen.

Roald Dahl’s Matilda The Musical will begin its run from 17 October 2018 at the TEATRO at Montecasino before moving to Cape Town. This Royal Shakespeare Company production a proud collaboration between Pieter Toerien’s Production, and GWB Entertainment.

Pieter Toerien and GWB Entertainment are delighted to announce the casting of the eagerly anticipated Matilda, The Musical. The multi award-winning stage adaptation of the much loved Roald Dahl classic was originally produced for the stage by the Royal Shakespeare Company. The first International Tour will commence in South Africa in October 2018.

The coveted title role of Matilda will be shared by three uniquely talented young girls: Lilla Fleischmann, Kitty Harris and Morgan Santo.

They are accompanied by Ryan de Villers as the gigantic holy terror, Miss Trunchbull and Bethany Dickson as Matilda’s devoted teacher Miss Honey. Stephen Jubber and Claire Taylor play Mr and Mrs Wormwood, Matilda’s awful parents and the loveable librarian, Mrs Phelps will be played by Nompumelelo Mayiyane.

Matilda is joined by the other pupils at Crunchem Hall Primary School who will be played by Jack Fokkens, Keeran Isaacs, Robyn Ivey, Joshua LeClair, Levi Maron, Ipeleng Merafe, Megan Saayman, Taylor Salgado, Cameron Seear and Zac Gabriel Werb.

We are delighted to announce the remaining adult company: Jasmin Colangelo, Katrina Dix, Sinead Donnelly, Michael Gardiner, Kent Jeycocke, Weslee Lauder, Carlo McFarlane, Kenneth Meyer, Daniel Parrott, Adrianna Patlaszynska, Jonathan Raath and Logan Timbre

The New York production of Matilda The Musical opened on 11 April 2013 at Broadway’s Shubert Theatre to rapturous reviews and has been celebrated on 10 “Top Ten” lists for 2013, including TIME Magazine’s #1 Show of the Year.

Sweeping the board at the 2012 Laurence Olivier Awards, winning a record-breaking seven awards, Matilda The Musical has gone on to take Broadway by storm winning four Tony Awards® and a Tony Honor for Excellence in the Theater for each of the four girls sharing the title role.

Matilda The Musical is directed by Tony Award® winner Matthew Warchus (God of Carnage), who helms this production with a book by Tony Award®-winning playwright Dennis Kelly and music and lyrics by Tim Minchin.

The production has sets and costumes by Tony Award® winner Rob Howell, with choreography by Tony Award® winner Peter Darling, orchestrations, additional music and musical supervision by Christopher Nightingale, lighting by Tony Award® winner Hugh Vanstone, and sound by Simon Baker.

Casting is expected to to be announced at a later date.

Matilda, The Musical

Johannesburg

The Teatro

17 October – 2 December

Tuesdays to Fridays at 20:00

Saturdays at 15:00 and 20:00

Sundays at 13:30 and 18:00

Cape Town

Artscape Opera House

9 December – 13 January

Tuesdays to Fridays at 20:00

Saturdays at 15:00 and 20:00

Sundays at 13:30 and 18:00

Bookings now open at Computicket

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After much anticipation, the Naledi Theatre Awards is proud to announce the nominees for productions staged during 2016.

The Nominations Reveal was hosted by the Market Theatre and took place on 27 March at the Mannie Manim Theatre amidst great excitement from the theatre industry’s key players.

BEST THEATRE SET DESIGN

Greg King – Suddenly the Storm

Karabo Legoabe – Waiting for Jack

Kayli Elit Smith – Cheers to Sarajevo

Sarah Roberts – iLembe

Saul Radomsky – Bad Jews

Sylvaine Strike – DOP

Wilhelm Disbergen – AS

BEST COSTUME DESIGN

Jade Bowers (assisted by Camille Behrens) – Scorched

Floris Louw – Mannequin

Greg King and Shanti Naidoo – Shrek The Musical

Niall Griffin – Joseph and the Amazing Technicolor Dreamcoat

Onthatile Matshidiso – Egoli

Sarah Roberts – iLembe

Thando Lobese – TAU

BEST LIGHTING DESIGN

Gareth Hewitt Williams – Joseph and the Amazing Technicolor Dreamcoat

Hlomohang Mothetho – TAU

Mandla Mtshali – A Raisin in the Sun

Nomvula Molepo – Egoli

Oliver Hauser – Scorched

Thapelo Mokgosi – 6 Characters in Search of an Author

Wesley France – Suddenly the Storm

BEST SOUND DESIGN

Disney Nonyane – 6 Characters in Search of an Author

Emily Adams – I Love You, You’re Perfect, Now Change

Gladman Balintulo – iLembe

Lee Brune – Shrek The Musical

Mark Malherbe – Annie

Mark Malherbe – Joseph and the Amazing Technicolor Dreamcoat

Richard Smith – Sneeuwitjie

BEST CHILDREN’S PRODUCTION (Supported by ASSITEJ SA) (0 – 12)

Disney’s Peter Pan – People’s Theatre.

Disney’s Junior Aladdin – People’s Theatre.

Khokho’s Treasure – The National Children’s Theatre.

Library Lion – The National Children’s Theatre.

Mr Popper’s Penguins – The National Children’s Theatre.

Ntombi Dreams Big – Alt Eye Productions, Redhill Festival and PopArt

Seussical JNR – People’s Theatre.

BEST PRODUCTION FOR YOUNG AUDIENCES (Supported by ASSITEJ SA) (13 – 17)

Hoopvol – Pit Productions.

Just Antigone – The Movement.

My Japan – Andre Stolz,

Narrative Dreams – Seeds of Water

Shakespeare’s Coriolanus – National Children’s Theatre in ass with Renos Spanoudes

Woza Albert – Market theatre

BEST PERFORMANCE IN A CHILDRENS’ THEATRE PRODUCTION (Supported by ASSITEJ SA)

Gamelihle Bovana – Library Lion

Jovan Muthray – Just Antigone

Mathabo Tlali – Ntombi Dreams Big

Nyakallo Motloung – Just Antigone

Thapelo Sebogodi – Shakespeare’s Coriolanus

Veronique Mensah – Library Lion

Palesa Makhalima – Seussical Jnr

BEST NEWCOMER / BREAKTHROUGH

Aubrey Mogali – Narrative Dreams

Dean-John Smith – A Cock and Bull Story

Edwin van der Walt – A Cock and Bull Story

Daniel Richards – Pay Back The Curry!

Ezbie Sebatsa Moilwa – The Dying Screams of the Moon

Phillru van Achterbergh – Porselein

Wilhelm van der Walt – DOP

BEST ORIGINAL CHOREOGRAPHY

Duane Alexander – Joseph and the Amazing Technicolor Dreamcoat

Janine Bennewith – Shrek The Musical

Lennox Sibisi – Umshado – A Marriage of Heritage

Nhlanhla Mahlangu – TAU

Sonia Thandazile Radebe – Sophiatown & Nhlanhla Mahlangu

Weslee Swain Lauder – Saturday Night Fever

Oscar Buthelezi – iLembe

BEST ORIGINAL SCORE / ARRANGEMENT / ADAPTATION

Charl-Johan Lingenfelder – Joseph and the Amazing Technicolor Dreamcoat

Dawid Boverhoff – Altyd In My Drome

Eddie Mathiba – Umshado – A Marriage of Heritage

Heidi Edeling & Francois Steyn – Sneeuwitjie

Neo Muyanga – Turned Away and She Was Gone

Warrick Sony & Brendan Jury – Ubu and the Truth Commission

BEST MUSICAL DIRECTOR

Arthur Molepo – Sophiatown

Bryan Schimmel – Annie

Dawid Boverhoff – Altyd In My Drome

Heidi Edeling – Sneeuwitjie

Louis Zurnamer – Singin’ In The Rain

Rowan Bakker – Shrek The Musical

Wessel Odendaal – I Love You, You’re Perfect, Now Change

BEST ENSEMBLE

Egoli

I Love You, You’re Perfect, Now Change

Sophiatown

Sherlock Holmes

6 Characters in Search of an Author

TAU

Tease!

BEST CUTTING EDGE

AS

I See You

I Turned Away   and She Was Gone

Les Cenci: A play about Artaud

Porselein

TAU

The Year of the Bicycle

BEST SUPPORTING ACTRESS IN A PLAY

Ameera Patel – Scorched

Ashley Carine de Lange – Bad Jews

Barileng Malebye – Sophiatown

Lesedi Job – A Raisin in the Sun

Renate Stuurman – Suddenly the Storm

Tholani ‘Khoni’ Miya – iLembe

Toni Morkel – Tobacco and the Harmful Effects Thereof

BEST SUPPORTING ACTOR IN A PLAY

Alesandro Mendes – iLembe

Brandon Auret – The President’s Man

Craig Jackson – Sherlock Holmes

Katlego Letsholonyana – Egoli

Oli Booth – Bad Jews

Tiaan Slabbert – Porselein

Wilhelm van der Walt – DOP

BEST DIRECTOR OF A PLAY

Jade Bowers – Scorched

John Kani – The Dying Screams of the Moon

Lara Bye – Oskar en die Pienk Tannie

Marthinus Basson – A Cock and Bull Story

Sibusisi Mamba – 6 Characters in Search of an Author

Sylvaine Strike – DOP

Thabiso T. Rammala – TAU

BEST DIRECTOR OF A MUSICAL/REVUE

Elizma Badenhorst – I Love You, You’re Perfect, Now Change

Nataniël – Mannequin

Neels Clasen – Altyd In My Drome

Paul Warwick Griffin – Joseph and the Amazing Technicolor Dreamcoat

Steven Stead – Shrek The Musical

Weslee Swain Lauder – Sneeuwitjie

BEST SUPPORTING/FEATURED PERFORMANCE IN A MUSICAL/REVUE: FEMALE

Delray Halgryn – Annie

Kiruna-Lind Devar – Saturday Night Fever

LJ Nielson – Saturday Night Fever

Taryn-Lee Hudson – Singing In The Rain

Taryn Sudding – Annie

Tessa Denton – Altyd In My Drome

BEST SUPPORTING/FEATURED PERFORMANCE IN A MUSICAL/REVUE: MALE

Bongi Mthombeni – Saturday Night Fever

Jacobus van Heerden – Shrek The Musical

Jonathan Roxmouth – Joseph and the Amazing Technicolor Dreamcoat

Rory Booth – Shrek The Musical

Stephen Jubber – Annie

Steven van Wyk – Singin’ In The Rain

BEST LEAD PERFORMANCE IN A MUSICAL/REVUE: FEMALE

Angela Kilian – Sneeuwitjie

Bethany Dickson – Singin’ In The Rain

Charon Williams Ros – Annie

Jessica Sole – Shrek The Musical

Kate Normington – Robin Hood and the Babes in the wood

Lilla Fleischmann – Annie

BEST LEAD PERFORMANCE IN A MUSICAL/REVUE: MALE

Earl Gregory – Joseph and the Amazing Technicolor Dreamcoat

Graham Hopkins – Robin Hood and the Babes in the wood

Grant Almirall – Singin’ In The Rain

Lyle Buxton – Shrek The Musical

Neels Clasen – Annie

Willem Botha – Altyd In My Drome

BEST PERFORMANCE IN A PLAY: FEMALE

Busisiwe Busi Zofuka – Ubu and the Truth Commission

Busisiwe Nyundu – iLembe

Charmaine Weir-Smith – Suddenly the Storm

Ilse Klink – Scorched

Masasa Lindiwe Mbangeni – The Dying Screams of the Moon

Sandra Prinsloo – Oskar en die Pienk Tannie

Tinarie van Wyk Loots – Plant vir my ‘n Boom André

BEST PERFORMANCE IN A PLAY: MALE

André Odendaal – DOP

Andrew Buckland – Tobacco and the Harmful Effects Thereof

Andries Babalo Mbali – iLembe

Desmond Dube – I See You

Lunga Radebe – I See You

Motlatsi Mafatshe – Mooi Street Moves

Mpho Osei-Tutu – Scorched

BEST NEW SOUTH AFRICAN SCRIPT

DOP – Written by Retief Scholtz

I See You – Written by Mongiwekhaya Mthombeni

iLembe – Written by Small Ndaba & Phyllis Klotz

Pay Back The Curry! – Written by Mike van Graan

Sherlock Holmes – Written by Robert Fridjhon & Bronwyn Gottwald

Suddenly the Storm – Paul Slabolepszy,

TAU – Written by Thabiso T. Rammala.

BEST PRODUCTION OF A PLAY

Bad Jews

I See You

Scorched

6 Characters in Search of an Author

Suddenly the Storm

A Raisin’ in the Sun

Ubu and the Truth Commission

BEST PRODUCTION OF A MUSICAL

Altyd In My Drome

Annie

I Love You, You’re Perfect, Now Change

Joseph and the Amazing Technicolor Dreamcoat

Shrek The Musical

Singin’ In The Rain

Umshado – A Marriage of Heritage

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It is one of those theatre productions that makes you leave the Teatro with a smile, and the tune of an old classic stuck in your head. With all departments and components of Musical Theatre coming together perfectly, I can summarise Pieter Toerien’s production of Singin’ in the Rain, as a delightful, feel-good Musical, as showcased by the cream of South African Talent.

I need to start this raving review with the Melodic Master-tunes from the live band. I am hesitant to call it an orchestra, because the true classical sounds of the Swinging Big Band Era was exactly that. The ten-piece band played under the musical direction of Louis Zurnamer, who also conducted the orchestra of Phantom of the Opera, a few years ago.

The variations and style of the arrangements were so complex, that this score is seen as one of the more difficult ones in Musical Theatre; so says Resident Director, Anton Luitingh. The score consists of various genres, and the changing of musical instruments in very short timeframes, adds to the challenging tasks of such a phenomenal band.

Luitingh told Stage and Screen that Johannesburg is seeing a well-polished production, after it travelled the world, and ran in Cape Town before opening at the Teatro. This was witnessed the night I was privileged to see the show. Grant Almirall, Bethany Dickson and Steven van Wyk, play the three lead roles, and the chemistry  between the three of them, is contributing hugely to the success of their characters.

I have something good to say about each and every individual cast member; From Richard Gau as the policeman, Jarryd Nurden as the workman, Darren Greef as Clyde, Raquel Munn as Mary Margaret, this list can go on and on, but each member of this sexy and good looking cast, played their part in a company that totally gels together, and holistically contributes to the feel-good energy the show sets free.

Personally, the performance of the night, went to Taryn-Lee Hudson, who plays the role of big movie star Lina Lamont. The character, humour and personality of Lamont, is mainly captured in the script, but for me, no-one could have done a better job of acting the role of Lamont, as Hudson. Hudson’s performance was energetic, expressive, and emotional when it needed to be, and I would argue that the comedy element of Singin’ in the Rain would not have been half as effective as what it was, without the fleur and Je ne Sais Qua of Hudson.

The singing and acting were as professional as can be expected from a Pieter Toerien Production, but the dancing was extraordinary. Under the leadership of dance captain, Duane Alexander, who also gloats with a world class resume under his belt, the dancing of Singin’ in the Rain completes the wow-factor that moves the second half… and this does by no means exclude the dancing of Almirall and van Wyk throughout the show.

The lighting- and set design did not fall behind the high standards of the whole production, and much is still to be raved about the real rain, that brought that element of reality to the show. Almirall is giving a memorable performance of the title-song, while dancing and singing in the rain, which would probably be the defining moment of this show. Oh, before I forget, if you get your tickets in the first four rows, you might get a little wet…

Sitting in the audience, watching the show, you will realise the cast is as Fit as a Fiddle, as if you Stepped out of a Dream, with Beautiful Girls who Make ’em laugh, and even Moses Supposes that the Lucky Star was Meant for me, as no matter What’s Wrong with me, would make me start Singin’ in the Rain… Would you?  A show totally deserving of a full-house standing ovation on opening night.

The rain will keep falling at the Teatro at Montecasino until the 13^th of March, so don’t miss this feel-good Musical. Stage and Screen is also giving away tickets to Singin’ in the Rain, compliments of Pieter Toerien Productions… just click here, or visit our Competition Page.

Good Morning Good Morning, to you!

The post Review: Singin' in the Rain appeared first on Stage and Screen.

This lavish production, tells the story of the Von Trapp family’s flight across the mountains from Austria, with its unforgettable score that includes some of the most memorable songs ever performed on the musical stage including “My Favourite Things”, “Edelweiss”, “Do-Re-Mi”, “Sixteen Going on Seventeen”, “The Lonely Goatherd”, “Climb Ev’ry Mountain”, and the title song “The Sound of Music”.

Featuring an all-star South African cast, The Sound of Music is a must-see on the 2014 theatrical calendar!  With words and music by the legendary Rogers and Hammerstein (Oklahoma!, Carousel, South Pacific, The King and I), The Sound of Music originally premiered on Broadway in 1959 to record-breaking advance ticket sales, where it won eight Tony Awards – including “Best Musical”.

The show opened in London in 1961 and became the longest-running American musical of its generation.  The 1965 Hollywood film, which starred Julie Andrews and Christopher Plummer, won five Oscars, including “Best Picture”, and quickly became the highest-grossing film in history. Even today, The Sound of Music remains the most successful movie musical in history.

Since the turn of the 21^st century, the enduring magic of The Sound of Music has lead to major productions around the world, giving testament to its title as “The World’s Most Popular Musical”. This production of the legendary Rodgers and Hammerstein musical opened to rave reviews and sell-out business at the Wales Millennium Centre in July 2009, following a record-breaking 954 performances at the London Palladium where it was seen by well over 2 million people.

The South African production will star Andre Schwartz as Captain von Trapp and Bethany Dickson as Maria.  The hills will certainly be alive with the Sound of Music in Cape Town and Johannesburg in 2014. Bookings are now open at Computicket. Performance details as follows:

Cape Town: ARTSCAPE Opera

19 February – 29 March

Tuesdays – Fridays @ 8pm, Saturdays @ 3pm & 8pm, Sundays @ 2pm & 6pm

Tickets: R125, R175, R200, R250, R275, R300, R350, R375 & R425

Johannesburg: The TEATRO at Montecasino

5 April – 8 June

Tuesdays – Fridays @ 8pm, Saturdays @ 3pm & 8pm, Sundays @ 2pm & 6pm

Tickets: R125, R150, R225, R250, R300, R350, R375 & R425

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