by Louw Mulder

There are only a few things better in life than to leave a theatre production where you have hit the epiphany of sheer entertainment. Taking nothing away from all the other brilliant theatre productions that stunned audiences this year, but with reference to Rock of Ages, now showing at the Lyric theatre in Gold Reef City, absolute enjoyment is included in your ticket price. Not only does the music comprise of well-known anthems for young and old, the story, humor and most of all, the presentation of all these elements, are the perfect ingredients for a fun and memorable night out.

In the last few years, VR Theatrical have produced numerous productions on SA stages, succeeding in entertaining and delighting audiences nationwide. We are talking about I Love you, You’re Perfect, Now Change, The Mysteries of Irma Vep, and forthcoming Johannesburg attractions in 2018 such as the hugely successful Hedwig and the Angry Inch, as well as Avenue Q, in association with Kosie House of Theatre.

“We focus on a younger audience, because it is important for theatre to keep up with the times”, Executive producer, Jaco van Rensburg told Stage and Screen after the show: “And even though our productions appear to be very edgy, audiences love them because people feel welcome when seeing these shows and they associate with the type of shows we play, which doesn’t exclude anyone. And mostly because it is fun!”

This time around, in partnership with Gold Reef City, they successfully brought Rock of Ages to the stage, with acclaimed response.

I do firmly believe that the success of this production, is mostly a result of the impeccable casting selection. I don’t think that the effectiveness of this show could have been so magical if it wasn’t for the versatility of all the actors in their various roles. The Headline act for this show, Josh Ansley, played the role of Drew, who falls in love with Sherrie, played by the super talented Claire Taylor. To throw a spanner in the works, is Stacee Jaxx, as sung by Andrew Webster.  He does show off his very well-defined body, but his talent, together with that of Ansley and Taylor, lies within their rock voices, that make most of these anthems, revived hits in their own right.

I could carry on about how I enjoyed the performances of the whole cast, like the physically excellent performance of Zak Hendrikz, the vocal powerhouse Nompumelelo Mayiyane, brilliantly with her quick scene-changes, Natasha van der Merwe, and the very camp Schoeman Smit, but I have to highlight two performances that stood out for me on the night. First was Neels Clasen, who is not a new face in a VR Theatrical production. In the role of German developer, Hertz, Classen’s versatility and expertise in accents and impersonations, added to the authenticity of his character.

Acting on opposite sides of the story, was club owner Dennis, played by Craig Urbani, who for me was undoubtedly the standout performance of the night. He fitted his character like a glove, and the noticeable effort he put into the portrayal of his role, was hysterical to watch. I personally, after seeing him recently in Saturday Night Fever and West Side Story, haven’t enjoyed Urbani’s talent as much as in Rock Of Ages… By no means do I suggest that his other roles were off par.

Louis and Nadine Minnaar were responsible for the Scenic Design. I was so impressed with many of the set elements, which in its over-the-top approach, was very effective. The impressive lightning design by Oliver Hauser set the scene for a true rock style musical. At times I felt as if though I was more rockstar groupie, than civilized theatre patron! Some scene changes were illustrated with various illuminating combinations, which made the flow of the storyline effortless to follow.   More than once, I caught myself enjoying various scenes so much, and laughing out so loud, I neglected to hear the many beautiful harmonies relating to those scenes. This, in my opinion, is reason enough to admit that seeing Rock Of Ages only once, is just not enough.

Adding to the constantly moving sets, were the choreography of Weslee Lauder, to complete the full picture. Lauder, brilliant on and off the stage, added to the je ne sais quoi of the show. It takes a certain type of character to make two 80’s rocker fellows fall in love, and at the same time, have the audience accepting everything happening on stage, reeling with laughter. Lauder was exactly the man for the Job.

The music was executed with distinction under the directorship of Wessel Odendaal. I am sure that each rock hit of that era featuring in this show, brought at least one or two memories to every audience member, irrespective of age. With the music of the 80’s being very diverse and quintessentially popular, Odendaal had the enormous task of directing the music in such a way, that the expectations of all 80’s music lovers would be met.  Odendaal, after the show, acknowledged that he is very thankful to have worked with such talented musicians as those appearing in Rock of Ages. Audiences should not expect replicas and cover versions of the original hits featuring in this musical, but can be sure to be entertained with fitting renditions of these songs, as part of a stand-alone musical production. Putting all these elements together, is Director Elizma Badenhorst, whose resume speaks for itself…

Rock of Ages has a rating of PG16, but van Rensburg said that the final call will ultimately be those of the youngster’s parents. From club scenes to public toilet scenes, from protests to the Final Countdown, there is something for every type of theatre goer in Rock of Ages, to make you remember and appreciate the music and energetic days of the 80’s. Rock of Ages will run until Sunday, 10 December 2017. For more information, especially on Group and Corporate Discount offers, please visit: http://www.stageandscreen.co.za/rock-of-ages/

Experience Rock of Ages in Pictures, with compliments of Gold Reef City.

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Knowing Me, Knowing You will take you on a musical adventure of daring proportions where life’s personal experiences influenced some of our most influential power couples in the music world. Whether they stayed together or went their own way, one thing is for sure; their music has stood the test of time!

This list of couples that fell in love first then used that relationship to have a successful musical career are astounding from Fleetwood Mac, ABBA, Ike and Tina Turner, No Doubt, Sonny and Cher, Mick Jagger, Beatles, Carly Simon, Whitney Housten and our very own Mango Groove, to name just a few. Many of these famous singing duos and bands credit their relationships for the success of their music and that love is often the great first step to fame and fortune.

I Do, Dancing Queen, Mamma Mia, I Got You Babe, River Deep Mountain High, Does your mother know, Hellfire, Don’t Stop, Go Your Own Way, Valerie, It takes two, Day Tripper, When I was your Man and the title song Knowing Me, Knowing you are just a few of the hits that will take you back to a time when songs were inspired by real life stories!

Knowing Me, Knowing You will transport you to a land of love needed, love forgotten, love lost, but importantly, love often gained!  Gerhard van der Merwe, Kieran Rennie, Kyra Green, Nadia Herbst and recently seen in Funny Girl, Ashley Harvey, will be the front line of awesomely talented singers.  They are supported by a world-class band, with names like Alouise Peens, PW van der Walt, Josh Thatcher, Jethro Butow and Lifa Arosi.  The show is directed by Andrew Webster.

Knowing Me, Knowing You!

Rockwood Theatre, Pretoria

3 August – 1 October 2017

Thursdays to Saturdays at 20h00 and Sundays at 14h00

Thursdays, there’s a buy-1-get-1-free R90 per person on even numbers

Fridays and Saturdays : R180 per person
Sundays : R120 per person.

Pensioners get 50% discount and Children under 12 are free.

VIP Area: R220 per person

Bookings at www.rockwoodtheatre.co.za or call 012 368 1555

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Riding through the royal forest of Sherwood on a glorious May morning, you don’t have a care in the world.  Then you hear a bird call, the faint rustling of trees, and suddenly a man armed with a longbow appears in your path.  He wears a feathered cap, or is that a hood?  You can’t see the man’s face clearly, but you don’t have to.  He is dressed in Lincoln green, the colour of Robin Hood – the most famous English outlaw of all time.

And now comes Janice Honeyman’s brand new pantomime adventure, Robin Hood and the Babes in the Wood, on the stage of The Mandela at Joburg Theatre from November 5th to December 30th 2016.

The plot combines the babes-lost-in-the-forest story with the Robin Hood legend.  The young children, Hansel and Gretel, come to visit their uncle, the Sheriff of Nottingham, little suspecting that he is plotting their demise.  But never fear, help is at hand – in the shape of Robin and his Merry Men, plus Maid Marian and the Spirit of the Forest!

Playing the role of Robin in his first Joburg Theatre pantomime is Izak Davel, best known to TV viewers as Isidingo‘s arrogant Bradley Haines, and whose hit recordings include Verlei My, Is Jy In Of Is Jy Uit and Vreesloos.

Much loved panto star Desmond Dube returns to Joburg Theatre to play the jovial Friar Tuck, Idols finalist Bongi Mthombeni features in his fifth Joburg Theatre pantomime as the dandy Will Scarlet and leading lady of South African musical theatre, Kate Normington, will surely be wildly comic as Silly Sylviana, the Spirit of the Forest!

Also featured in Robin Hood and the Babes in the Wood are Graham Hopkins as the villainous Norman the Nasty, Sheriff of Nottingham, L J Urbani as the ever-popular panto Dame Emmarentia Ugly, Phumi Mncayi as chief lieutenant of the Merry Men, Little John, award-winning actress Candida Mosoma as Much the Miller’s Son (written with an inevitable panto twist!), beautiful Carmen Pretorius as Robin’s love interest, Maid Marian, and Jaco Van Rensburg as the wandering minstrel, Alan-a-Dale.

Joining them in the all-South-African cast are, in alphabetical order, TeeKay Baloyi, Darius Engelbrecht, Clive Gilson, Nuritt Graff, Kyra Green, Dirk Joubert, Dolly Louw, Yamikani Mahaka-Phiri, Tsepho Ncokoane, Noni Nkonto, Dale Scheepers, Natasha Van Der Merwe and Maryanne Van Eyssen.

“It’s an exciting year for us when Janice Honeyman writes a brand new pantomime script,” says Bernard Jay, Executive Producer of the panto. “We don’t know exactly what to expect until the last minute, but we do know it will be full of her magical flair for story-telling, spectacular special effects, zany comedy and outrageous double entendres!”

Writer / director Janice Honeyman collaborates with producer Bernard Jay on their sixteenth Joburg Theatre pantomime together.  Rowan Bakker joins the team this year as musical director; Nicol Sheraton returns as choreographer; the eagerly anticipated, over-the-top, fabulous sets and costumes are once again supplied by Qdos in the UK; the lighting design is by Graham McLusky; sound design by Trevor Peters; and Timothy Le Roux is the resident director.  As with many past successful pantomime productions at Joburg Theatre, Claire Pacariz and Simon James serve as associate producers.

Robin Hood and the Babes in the Wood has preview performances on The Mandela stage at Joburg Theatre on November 5th and 6th with tickets from R170.  Its official Opening Night is scheduled for Sunday November 6th and the season continues until December 30th, with tickets priced from R220.

Over 30,000 tickets have already been sold for this year’s panto, so best to hurry and get yours now for South Africa’s most popular family entertainment tradition.  Tickets are available by visiting www.joburgtheatre.com or calling 0861 670 670, as well as through Webtickets and at Pick ‘n’ Pay stores. For group bookings of 10 or more, contact the theatre directly on 011 877 6853/6815.

For details of the full schedule and performance times, visit www.joburgtheatre.com

TWITTER HANDLE:

@joburgtheatre

HASHTAG:

#RobinHoodPanto

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Make room for ogre-sized family fun as the greatest fairy-tale never told comes to life in the Broadway and West End hit Shrek The Musical which heads to Johannesburg for a limited season at Gold Reef City from 24 June to 17 July 2016.

From the producers of Little Shop of Horrors, Cabaret and more recently Sweeney Todd, KickstArt now brings Jozi audiences the musical stage adaptation of DreamWork’s global movie phenomenon Shrek!, set to delight old and young during the June/July holidays.

The talented local 28-strong cast will be bringing these instantly recognizable characters to life in this fabulous, fun, charming and hugely funny musical.  The leads are portrayed by Lyle Buxton (Cabaret, Annie, Beauty and the Beast, Sweeney Todd) as Shrek, Rory Booth (Xtrafactor, Puss in Boots, Aladdin) as Donkey and Jessica Sole (Cabaret, I Love You You’re Perfect Now Change, Orpheus in Africa) as Princess Fiona.

Also in the cast are Jacobus van Heerden (Popcorn, Little Shop of Horrors, The Ladykillers) as the diminutive Lord Farquaad; Graeme Wicks (Sweeney Todd, Aladdin) as Pinocchio; Charon Williams Ros as Gingy the Gingerbread Man and a ferocious fire-breathing dragon…. With a huge cast of fairytale characters, and a chorus of tap dancing rats!!

The stellar cast also includes; Ashleigh Harvey, Kyra Green, Luciano Zuppa, Samuel Hyde, Daniel Fisher, Tumelo Tokgwi, Senzo Radebe, Zchane Zietsman, Shani McLea, Sarah Richard, Caitlyn Thompson, Sarah Falconer and more.

The Johannesburg premiere of the hit Broadway show Shrek The Musical will be the first of many major productions to be staged at Gold Reef City following the completion of the recent multi-million Rand redevelopment; the premiere entertainment destination in the south of Johannesburg.

“The recent extensive refurbishment and expansion of Gold Reef City has created a perfect opportunity for us to stage this superb and larger-than-life Broadway inspired musical adaptation of the hit movie “Shrek”.  This magnificent production will feature a large cast, spectacular music and great humour that will delight both children and adults alike”, says Noeleen Bruton,  Director of Marketing – Tsogo Sun Group.

Shrek the Musical is directed by Steven Stead, designed by Greg King, choreographed by Janine Bennewith, lighting by Tina le Roux with musical direction by Rowan Bakker. It is based on the 2001 DreamWorks Animation Motion Picture Shrek! and the book by William Steig. The musical adaptation has book and lyrics by David Lindsay-Abaire and music by Jeanine Tesori.

Shrek the Musical has become a global phenomenon with productions staged internationally including on the WestEnd and Broadway. With an enormous cast, a fabulous score; speedy set changes; extravagant costumes, prosthetics and make-up – this is quite possibly one of the most challenging and elaborate productions staged by multi-award winning producers, KickstArt. It promises to be quite extraordinary, deliciously funny and a joyous romp for the whole family!

The story revolves around a benign ogre named Shrek who lives contentedly alone in a swamp. However, his solitude is disrupted when a band of disgruntled fairytale creatures show up on his property after having been banished from the Kingdom of Duloc, on pain of death, by the evil Lord Farquaad.

Irritated by having to share his swamp, Shrek journeys to see Farquaad  with the intention of regaining his privacy. On the road, he rescues a talkative donkey who insists on tagging along to show him the way. Shrek and Donkey arrive in Duloc where Farquaad demands that Shrek rescue his intended, Princess Fiona. The two unlikely friends set off to save Fiona. After a quest involving a fire-breathing lady dragon, Princess Fiona is “rescued” from the tower by Shrek. On the way back to Duloc, Shrek and Princess Fiona get better acquainted and Donkey tries, unsuccessfully, to match-make them.

As Princess Fiona and Lord Farquaad are about to be married, there is an uprising from the fairytale characters, and Princess Fiona realises that Lord Farqaad is perhaps not her champion after all. And in the tradition of all good fairy stories, the villain is vanquished, the hero finds true love, and they all live happily ever after….

In the recent BroadwayWorld.com 2015 Awards, Shrek received two further awards; for best Costume Design (Greg King) and Best Family Friendly Entertainment.  And now it’s Jozi’s turn to enjoy this Shrektacular theatre production that’s been turbo charged as it brings a favourite movie to life on stage!  There is no better quality entertainment to be enjoyed in the winter holidays that’s ideal for everyone, not just the kids. A Broadway production at an affordable price!

Shrek The Musical is on at The Lyric Theatre, Gold Reef City

24 June to 17 July 2016.

Afternoon performances run from Wednesdays to Sundays at 14h30 with evening performances on Fridays and Saturdays at 19h30.

Bookings can be made at www.goldreefcity.co.za or by calling The Gold Reef City Box Office on 011 248 5000 or through Computicket.

Tickets range from R150 – R290.

A variety of discounts apply:Tsogo Sun Rewards cardholders enjoy instant savings: 10% (Gold); 15% (Platinum); 20% (Black).

Group bookings of 20 or more qualify for a 10% discount if booked directly with the Gold Reef City Box Office only on

011 248 5000.

Edgars Club card holders enjoy a 10% discount.

Shrek-tacular Show & Stay Deals are available at The Gold Reef City Theme Park Hotel and include a delicious buffet breakfast at Barney’s Restaurant, access to all major rides and entertainment in the Theme Park, show tickets, and complimentary shuttle service to and from the casino complex.  Visit goldreefcity.co.za for information, contact Gold Reef City Reservations on 011 248 5700, or email Goldreef.reservations@tsogosun.com to book today.

The show runs for 2 hours 10 minutes with a 20-minute interval.

NO CHILDREN UNDER 4 YEARS will be admitted into the auditorium.

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