By: David Simmons

There is a refreshing satisfaction when one leaves a theatre after a musical with children at its core. Think back to the timeless musicals you have seen not only as a child, but also more recently on our South African stages. The Sound Of Music comes to mind with unique and loveable child performances. Then we have Annie, a powerful leading role by one knockout leading lady who is all action, drive and perseverance. And now, with our newest theatre recruits, all your favourite childhood characters have come to life. Matilda the Musical has gloriously taken ownership in a true Kaleidoscope of colour and show-stopping girl power!

You may have noticed the trend of strong and powerful female leads who withstand their own storms and invariably come out stronger at the end of their journey. Whether these leads are adults or young children, the message of empowerment is particularly clear and unstoppable. Matilda The Musical has a very strong message of acceptance and courage and delivers with showstopping vitality.

It’s always interesting to witness a story that most have come to love from the pages of a book that has been communicated through song, dance and visual characterisation. The effectiveness can be far more appealing and the message more powerful when altered for a live production. In Matilda The Musical’s case, this enchanting story ignites with a huge voice and the right amount of energy for a large-scale, truly unmissable theatrical offering.

Based on the 1988 children’s book by Roald Dahl, this hugely polished and fast paced musical is suitable for a new generation of impressionable young children. With some of the most wonderful and touching music you will hear on a stage, the cast, most of which are talented youngsters, enjoy scene after scene with maturity and ease. Tim Minchin’s music and lyrics are memorable and many of the showstopping numbers have become the anthem for the powerful childhood themes of the show. This coming of age story delivers a masterful and thoughtful script and with its strong message throughout, the appeal is extremely pleasing

The plot is simple and in fact rather sad, but as we know in stories like these, it’s not all downhill and mayhem for the leading lady in question. Matilda Wormwood is a lonely child who reads books to escape her awful upbringing. She is talented beyond her age and is far wiser than her dim-witted parents believe her to be. She immerses herself in the pages of her books and creates magical tales that take her to worlds of make-believe.

There are 3 Matilda’s playing the lead in the run of this musical feat, however opening night saw the wonderfully talented Morgan Santo playing the title role. One can describe her performance as a winning combination of sensitivity and resilience. She is a tiny package of energy and sheer likability and is a huge force on stage. The same can be said about Kitty Harris, who we saw in our second visit to this production. In her professional debut performance, this young talent revealed her true gift for the stage and is certainly a bright young theatre star to look out for.

Huge admiration needs to go to the LAMTA academy, for the magic and professional training they impart onto these impressive youngsters. Their directors, Anton Luitingh and Duane Alexander, also resident Director and Associate choreographer of this tour have moulded these incredible actors into shining examples of the wonderful young talent we have in this country.

Mr and Mrs Wormwood are played by Stephen Jubber and Claire Taylor respectively. Jubber, who will be remembered for a somewhat similar role in Annie, is effortlessly wakey and gives a brilliant portrayal of Matilda’s slimy, small town crook father. Taylor, recently seen in Rock of Ages, is a marvel as always to watch. Her stage presence is truly magnetic and her loud, boisterous and ditzy Mrs Wormwood needs huge recognition.

When Matilda starts at her new school, she meets the wonderfully and sweet voiced Miss Honey played by Bethany Dickson who’s grace and demeanour on stage is remarkable. Both Miss Honey and Matilda have to deal with their demons and tackle whatever insecurities they have head-on, and the sincerity of their relationship on stage, was hugely visible through their professional approach to their characters.

Children’s stories are never complete without a villain and there probably has never been a more shining character driven role than the one given by Ryan De Villiers who plays Miss Trunchbull. De Villiers gave an unforgettable performance on both nights we saw the production and whoever he was channelling came through in bucketloads! His performance is an admirable highlight of the show and if there were any doubts to see Matilda, let Ryan’s performance be your driving force. Miss Trunchbulls flamboyant character in true panto style humour and devilish charm, is so outrageous it’s hard to keep a straight face during her scenes.

The set design is glorious and filled with huge amounts of detail and charm. You will feel as if you are floating on the pages of a book with letters and words that make up the entire expanse of the stage. Set- and costume designer Rob Howell adds sparkle and magical touches. There are fast set changes, slick choreography and how can one forget Bruce Bogtrotter and his famous cake eating scene? With a live 8-piece band led by the brilliant Louis Zurnamer, Matilda is one Musical that should not be missed!

Matilda The Musical will be running at The Teatro at Montecasino until Sunday the 2^nd of December where it moves to the Artscape Theatre from the 11^th of December.

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Roald Dahl’s Matilda The Musical will begin its run from 17 October 2018 at the TEATRO at Montecasino before moving to Cape Town. This Royal Shakespeare Company production a proud collaboration between Pieter Toerien’s Production, and GWB Entertainment.

Pieter Toerien and GWB Entertainment are delighted to announce the casting of the eagerly anticipated Matilda, The Musical. The multi award-winning stage adaptation of the much loved Roald Dahl classic was originally produced for the stage by the Royal Shakespeare Company. The first International Tour will commence in South Africa in October 2018.

The coveted title role of Matilda will be shared by three uniquely talented young girls: Lilla Fleischmann, Kitty Harris and Morgan Santo.

They are accompanied by Ryan de Villers as the gigantic holy terror, Miss Trunchbull and Bethany Dickson as Matilda’s devoted teacher Miss Honey. Stephen Jubber and Claire Taylor play Mr and Mrs Wormwood, Matilda’s awful parents and the loveable librarian, Mrs Phelps will be played by Nompumelelo Mayiyane.

Matilda is joined by the other pupils at Crunchem Hall Primary School who will be played by Jack Fokkens, Keeran Isaacs, Robyn Ivey, Joshua LeClair, Levi Maron, Ipeleng Merafe, Megan Saayman, Taylor Salgado, Cameron Seear and Zac Gabriel Werb.

We are delighted to announce the remaining adult company: Jasmin Colangelo, Katrina Dix, Sinead Donnelly, Michael Gardiner, Kent Jeycocke, Weslee Lauder, Carlo McFarlane, Kenneth Meyer, Daniel Parrott, Adrianna Patlaszynska, Jonathan Raath and Logan Timbre

The New York production of Matilda The Musical opened on 11 April 2013 at Broadway’s Shubert Theatre to rapturous reviews and has been celebrated on 10 “Top Ten” lists for 2013, including TIME Magazine’s #1 Show of the Year.

Sweeping the board at the 2012 Laurence Olivier Awards, winning a record-breaking seven awards, Matilda The Musical has gone on to take Broadway by storm winning four Tony Awards® and a Tony Honor for Excellence in the Theater for each of the four girls sharing the title role.

Matilda The Musical is directed by Tony Award® winner Matthew Warchus (God of Carnage), who helms this production with a book by Tony Award®-winning playwright Dennis Kelly and music and lyrics by Tim Minchin.

The production has sets and costumes by Tony Award® winner Rob Howell, with choreography by Tony Award® winner Peter Darling, orchestrations, additional music and musical supervision by Christopher Nightingale, lighting by Tony Award® winner Hugh Vanstone, and sound by Simon Baker.

Casting is expected to to be announced at a later date.

Matilda, The Musical

Johannesburg

The Teatro

17 October – 2 December

Tuesdays to Fridays at 20:00

Saturdays at 15:00 and 20:00

Sundays at 13:30 and 18:00

Cape Town

Artscape Opera House

9 December – 13 January

Tuesdays to Fridays at 20:00

Saturdays at 15:00 and 20:00

Sundays at 13:30 and 18:00

Bookings now open at Computicket

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by Louw Mulder

There are only a few things better in life than to leave a theatre production where you have hit the epiphany of sheer entertainment. Taking nothing away from all the other brilliant theatre productions that stunned audiences this year, but with reference to Rock of Ages, now showing at the Lyric theatre in Gold Reef City, absolute enjoyment is included in your ticket price. Not only does the music comprise of well-known anthems for young and old, the story, humor and most of all, the presentation of all these elements, are the perfect ingredients for a fun and memorable night out.

In the last few years, VR Theatrical have produced numerous productions on SA stages, succeeding in entertaining and delighting audiences nationwide. We are talking about I Love you, You’re Perfect, Now Change, The Mysteries of Irma Vep, and forthcoming Johannesburg attractions in 2018 such as the hugely successful Hedwig and the Angry Inch, as well as Avenue Q, in association with Kosie House of Theatre.

“We focus on a younger audience, because it is important for theatre to keep up with the times”, Executive producer, Jaco van Rensburg told Stage and Screen after the show: “And even though our productions appear to be very edgy, audiences love them because people feel welcome when seeing these shows and they associate with the type of shows we play, which doesn’t exclude anyone. And mostly because it is fun!”

This time around, in partnership with Gold Reef City, they successfully brought Rock of Ages to the stage, with acclaimed response.

I do firmly believe that the success of this production, is mostly a result of the impeccable casting selection. I don’t think that the effectiveness of this show could have been so magical if it wasn’t for the versatility of all the actors in their various roles. The Headline act for this show, Josh Ansley, played the role of Drew, who falls in love with Sherrie, played by the super talented Claire Taylor. To throw a spanner in the works, is Stacee Jaxx, as sung by Andrew Webster.  He does show off his very well-defined body, but his talent, together with that of Ansley and Taylor, lies within their rock voices, that make most of these anthems, revived hits in their own right.

I could carry on about how I enjoyed the performances of the whole cast, like the physically excellent performance of Zak Hendrikz, the vocal powerhouse Nompumelelo Mayiyane, brilliantly with her quick scene-changes, Natasha van der Merwe, and the very camp Schoeman Smit, but I have to highlight two performances that stood out for me on the night. First was Neels Clasen, who is not a new face in a VR Theatrical production. In the role of German developer, Hertz, Classen’s versatility and expertise in accents and impersonations, added to the authenticity of his character.

Acting on opposite sides of the story, was club owner Dennis, played by Craig Urbani, who for me was undoubtedly the standout performance of the night. He fitted his character like a glove, and the noticeable effort he put into the portrayal of his role, was hysterical to watch. I personally, after seeing him recently in Saturday Night Fever and West Side Story, haven’t enjoyed Urbani’s talent as much as in Rock Of Ages… By no means do I suggest that his other roles were off par.

Louis and Nadine Minnaar were responsible for the Scenic Design. I was so impressed with many of the set elements, which in its over-the-top approach, was very effective. The impressive lightning design by Oliver Hauser set the scene for a true rock style musical. At times I felt as if though I was more rockstar groupie, than civilized theatre patron! Some scene changes were illustrated with various illuminating combinations, which made the flow of the storyline effortless to follow.   More than once, I caught myself enjoying various scenes so much, and laughing out so loud, I neglected to hear the many beautiful harmonies relating to those scenes. This, in my opinion, is reason enough to admit that seeing Rock Of Ages only once, is just not enough.

Adding to the constantly moving sets, were the choreography of Weslee Lauder, to complete the full picture. Lauder, brilliant on and off the stage, added to the je ne sais quoi of the show. It takes a certain type of character to make two 80’s rocker fellows fall in love, and at the same time, have the audience accepting everything happening on stage, reeling with laughter. Lauder was exactly the man for the Job.

The music was executed with distinction under the directorship of Wessel Odendaal. I am sure that each rock hit of that era featuring in this show, brought at least one or two memories to every audience member, irrespective of age. With the music of the 80’s being very diverse and quintessentially popular, Odendaal had the enormous task of directing the music in such a way, that the expectations of all 80’s music lovers would be met.  Odendaal, after the show, acknowledged that he is very thankful to have worked with such talented musicians as those appearing in Rock of Ages. Audiences should not expect replicas and cover versions of the original hits featuring in this musical, but can be sure to be entertained with fitting renditions of these songs, as part of a stand-alone musical production. Putting all these elements together, is Director Elizma Badenhorst, whose resume speaks for itself…

Rock of Ages has a rating of PG16, but van Rensburg said that the final call will ultimately be those of the youngster’s parents. From club scenes to public toilet scenes, from protests to the Final Countdown, there is something for every type of theatre goer in Rock of Ages, to make you remember and appreciate the music and energetic days of the 80’s. Rock of Ages will run until Sunday, 10 December 2017. For more information, especially on Group and Corporate Discount offers, please visit: http://www.stageandscreen.co.za/rock-of-ages/

Experience Rock of Ages in Pictures, with compliments of Gold Reef City.

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