The character of Nettie is the sister of the story’s protagonist, Celie, and shows her sister unconditional love and support. Although Nettie doesn’t bare her own children in the story, she is noted as acting as Celie’s protector and cares for Celie’s children. This caring, maternal nature is true of Sebe Leotlela herself, who recently gave birth to a little girl.

The role of Nettie is a significant one for Leotlela and she was acknowledged for her powerful performance by being nominated for a 2019 Naledi Theatre Award as best supporting actor in a musical.

Leotlela is excited to be returning to her role in the April 2020 season of The Color Purple. Since becoming a mother, she is set to instill many of the lessons from the novel and musical in her daughter.

The musical’s director in South Africa, Janice Honeyman, is also excited to know that Leotlela will be reprising her role as Nettie.

Sebe also played the role of the Disco Diva Candy in Bernard Jay’s production of Saturday Night Fever at The South African State Theatre. She has performed in two of Janice Honeyman’s pantomimes, Pinocchio and Snow White. She is currently serving as assistant choreographer in this year’s pantomime, Jack and the Beanstalk.

Joining Sebe Leotlela on stage in The Color Purple next year are acclaimed South African actors Didintle Khunou as Celie, Lelo Ramasimong as Shug Avery, Neo Motaung as Sofia, Thokozani Nzima as Mister and Yamikani Mahaka-Phiri as Harpo.

The Color Purple

Joburg Theatre

2 April to 12 April 2020

Tickets are available at www.joburgtheatre.com

Theatre patrons can also book online and pay at selected Pick N Pay stores.

The post The Color Purple appeared first on Stage and Screen.

The Color Purple, as a musical, was originally produced on Broadway in 2005, by a team of producers, including Oprah Winfrey and received eleven Tony nominations.  Now, this musical is to be seen on a South African Stage, as directed by Janice Honeyman, and Rowan Bakker as Musical director with an all South African cast.

Enter our competition here, and hope the luck of the purple draw is on your side…

The Color Purple Competition Form

[contact-form-7 id=”7224″ title=”The Color Purple”]

Please Note:

1. Competition Closes on Monday, 5 February 2018.
2. Tickets are only valid for the specified dates and performance times, and my not be upgraded, or exchanged for cash, or for alternate performances.
3. The prize comprises of two tickets per Price Winner.
4. No-Shows will not receive replacement tickets.
5. By entering this competition, the participant agrees to the terms and conditions.
6. Excess entries may cause your email to be seen as spam.

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In August 2016, director Janice Honeyman, executive producer Bernard Jay and musical director Rowan Bakker embarked on a search for the two women who would be chosen to play the lead roles of Celie and Shug Avery in the Tony Award winning musical The Color Purple, to be staged for the first time in South Africa in 2018 and with an all-South African cast.

After gruelling auditions in Cape Town, Pretoria and Joburg of over 250 performers, the team finally found South Africa’s answers for the two currently most coveted female roles in musical theatre. Today, we are excited to reveal the two South African actresses who will be playing these roles in the first major international production of The Color Purple since the Broadway revival.

At a media junket, held at Joburg Theatre, it was revealed that Didintle Khunou will be playing the role of Celie – a caring and gentle girl whose resilience is truly miraculous and ultimately a tribute to humankind – and Molebatsi Lekgetha will be playing the role of Shug Avery – the archetypal blues woman, with her earthy wisdom and singer lifestyle.

Didintle Khunou, 25, is a Wits School of Arts graduate, having obtained a BA Honours Degree in Dramatic Arts. She has made many television appearances, the most recent being the second season of SABC2’s popular Sotho drama series Mamello, directed by SAFTA award-winning director Zuko Nodada.

Born and raised in Pretoria, Molebatsi Lekgetha, 33, began exploring her talent as a performer in primary school. Her love and passion for the arts directed her to study and complete a BA (Drama) Degree at the University of Pretoria. She immediately landed a lead role in Ain’t Misbehavin’ at the Market Theatre, for which she received a Naledi Award Nomination for Best Performance By A Newcomer. .

Didintle and Molebatsi join a talented all South African cast, which features Zane Gillion, Sebe Leotlela (as Nettie), Dolly Louw, Andile Magxaki, Yamikani Mahaka-Phiri (as Harpo), Venolia Manale, Namisa Mdlalose, Phumi Mncayi, Neo Motaung (as Sofia), Tshepo Ncokoane, Thokozani Nzima, Funeka Peppeta, Aubrey Poo (as Mister), Senzesihle Radebe, Lelo Ramasimong, Zolani Shangase, Ayanda Sibisi and Lebo Toko.

The director is Janice Honeyman, musical director Rowan Bakker, production designer Sarah Roberts, lighting designer Mannie Manim and The Color Purple is produced by Joburg Theatre and Bernard Jay in association with MNet and 702.

The Color Purple is based upon the 1982 novel written by Alice Walker and the 1985 Warner Bros/Amblin Entertainment Motion Picture, directed by Steven Spielberg. The musical’s book is by Marsha Norman and the music and lyrics are by Brenda Russell, Allee Willis and Stephen Bray. The musical The Color Purple was originally produced on Broadway in 2005 by Oprah Winfrey, Scott Sanders, Roy Furman and Quincy Jones, receiving eleven 2006 Tony Award nominations. The recent Broadway revival enjoyed tremendous success, boosted by its major Tony Award wins in 2016 and Grammy Award in 2017.

The musical will have preview performances in The Mandela at Joburg Theatre from January 31st 2018, with its official opening night on Sunday February 4th and running until Sunday March 4th 2018. Tickets from R240 are already on sale: telephone 0861 670 670, go online at www.joburgtheatre.com or book in person at the Joburg Theatre box office. Theatre patrons can also book online and pay at selected Pick N Pay stores.

The post The Color Purple appeared first on Stage and Screen.

by Louw Mulder

There are only a few things better in life than to leave a theatre production where you have hit the epiphany of sheer entertainment. Taking nothing away from all the other brilliant theatre productions that stunned audiences this year, but with reference to Rock of Ages, now showing at the Lyric theatre in Gold Reef City, absolute enjoyment is included in your ticket price. Not only does the music comprise of well-known anthems for young and old, the story, humor and most of all, the presentation of all these elements, are the perfect ingredients for a fun and memorable night out.

In the last few years, VR Theatrical have produced numerous productions on SA stages, succeeding in entertaining and delighting audiences nationwide. We are talking about I Love you, You’re Perfect, Now Change, The Mysteries of Irma Vep, and forthcoming Johannesburg attractions in 2018 such as the hugely successful Hedwig and the Angry Inch, as well as Avenue Q, in association with Kosie House of Theatre.

“We focus on a younger audience, because it is important for theatre to keep up with the times”, Executive producer, Jaco van Rensburg told Stage and Screen after the show: “And even though our productions appear to be very edgy, audiences love them because people feel welcome when seeing these shows and they associate with the type of shows we play, which doesn’t exclude anyone. And mostly because it is fun!”

This time around, in partnership with Gold Reef City, they successfully brought Rock of Ages to the stage, with acclaimed response.

I do firmly believe that the success of this production, is mostly a result of the impeccable casting selection. I don’t think that the effectiveness of this show could have been so magical if it wasn’t for the versatility of all the actors in their various roles. The Headline act for this show, Josh Ansley, played the role of Drew, who falls in love with Sherrie, played by the super talented Claire Taylor. To throw a spanner in the works, is Stacee Jaxx, as sung by Andrew Webster.  He does show off his very well-defined body, but his talent, together with that of Ansley and Taylor, lies within their rock voices, that make most of these anthems, revived hits in their own right.

I could carry on about how I enjoyed the performances of the whole cast, like the physically excellent performance of Zak Hendrikz, the vocal powerhouse Nompumelelo Mayiyane, brilliantly with her quick scene-changes, Natasha van der Merwe, and the very camp Schoeman Smit, but I have to highlight two performances that stood out for me on the night. First was Neels Clasen, who is not a new face in a VR Theatrical production. In the role of German developer, Hertz, Classen’s versatility and expertise in accents and impersonations, added to the authenticity of his character.

Acting on opposite sides of the story, was club owner Dennis, played by Craig Urbani, who for me was undoubtedly the standout performance of the night. He fitted his character like a glove, and the noticeable effort he put into the portrayal of his role, was hysterical to watch. I personally, after seeing him recently in Saturday Night Fever and West Side Story, haven’t enjoyed Urbani’s talent as much as in Rock Of Ages… By no means do I suggest that his other roles were off par.

Louis and Nadine Minnaar were responsible for the Scenic Design. I was so impressed with many of the set elements, which in its over-the-top approach, was very effective. The impressive lightning design by Oliver Hauser set the scene for a true rock style musical. At times I felt as if though I was more rockstar groupie, than civilized theatre patron! Some scene changes were illustrated with various illuminating combinations, which made the flow of the storyline effortless to follow.   More than once, I caught myself enjoying various scenes so much, and laughing out so loud, I neglected to hear the many beautiful harmonies relating to those scenes. This, in my opinion, is reason enough to admit that seeing Rock Of Ages only once, is just not enough.

Adding to the constantly moving sets, were the choreography of Weslee Lauder, to complete the full picture. Lauder, brilliant on and off the stage, added to the je ne sais quoi of the show. It takes a certain type of character to make two 80’s rocker fellows fall in love, and at the same time, have the audience accepting everything happening on stage, reeling with laughter. Lauder was exactly the man for the Job.

The music was executed with distinction under the directorship of Wessel Odendaal. I am sure that each rock hit of that era featuring in this show, brought at least one or two memories to every audience member, irrespective of age. With the music of the 80’s being very diverse and quintessentially popular, Odendaal had the enormous task of directing the music in such a way, that the expectations of all 80’s music lovers would be met.  Odendaal, after the show, acknowledged that he is very thankful to have worked with such talented musicians as those appearing in Rock of Ages. Audiences should not expect replicas and cover versions of the original hits featuring in this musical, but can be sure to be entertained with fitting renditions of these songs, as part of a stand-alone musical production. Putting all these elements together, is Director Elizma Badenhorst, whose resume speaks for itself…

Rock of Ages has a rating of PG16, but van Rensburg said that the final call will ultimately be those of the youngster’s parents. From club scenes to public toilet scenes, from protests to the Final Countdown, there is something for every type of theatre goer in Rock of Ages, to make you remember and appreciate the music and energetic days of the 80’s. Rock of Ages will run until Sunday, 10 December 2017. For more information, especially on Group and Corporate Discount offers, please visit: http://www.stageandscreen.co.za/rock-of-ages/

Experience Rock of Ages in Pictures, with compliments of Gold Reef City.

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