Chicago Brings Sass, Swagger and Sensational Performances to Montecasino Teatro
After a triumphant run in Cape Town, Chicago The Musical has arrived at the Montecasino Teatro, and it’s easy to see why audiences can’t get enough of it. I’ve always loved dark humour, and this production leans deliciously into that side of the story, delivering two and a half hours that fly by in a blur of wit, rhythm and style.
Samantha Peo once again steps into the role of Velma Kelly, and it’s clear why she keeps being invited back. Having played Velma in both the Chicago World Tour and earlier South African productions, she inhabits the character with precision and charisma, commanding every scene she’s in. Jonathan Roxmouth as Billy Flynn is, as always, born for the stage. He brings a charm and showmanship that feels effortless, delivering each number with that undefinable flair only he can pull off.
Tankiso Mamabolo as Mama Morton is a powerhouse presence, her voice rich and her timing impeccable. Dean de Klerk’s Amos Hart provides the perfect counterpoint, offering warmth and heart that make you root for him completely. M.E. Marvey as Mary Sunshine is an absolute treat, and it was wonderful to see Ferdi Gernandt back on stage, dancing with pazazz and adding texture to the ensemble.
One of the things that stood out most to me was the live band positioned right on stage. It adds an electric energy to the performance, especially the brass section, which grounds each scene with those unmistakable tones layered with sultry swagger. The music becomes a character of its own, reminding you that this show is as much about sound as it is about story.
You might think you’ve seen Chicago before, but this staging feels sharp, fresh and full of attitude. From start to finish, it’s a slick, stylish reminder of why this show remains one of the most enduring musicals of all time.
Chicago The Musical runs at the Montecasino Teatro until Sunday, 9 November 2025. Tickets are available through Ticketmaster.co.za.